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DESORMAIS, "CLIMATE VARIATIONS"
intr_version
Giant green cyborg squelching through swampland suddenly soars skyward.Distant echoes of sad cornfields fluttering in late summer breeze. Theaftermath of destruction "World Remains" revolve in forlorn beauty."Ruin Her Slowly" pumps a chuggging fat mutant bassbeat for wistfulpiano chops to chime into the haunted night. Then again maybe its amusic box merry go round drowning slowly in molasses. If you haven'tyet got Bored of Canada and get a kick out of the Fennesz guitar /laptop interface, then the duo called Désormais are definitely makingthe kind of noise you should hear. Yes, I'm harping on the Fenneszcomparisons again, but those abstracted My Bloody Valentine noiseloopsvia laptop glitchscrapes are hard to place without reference to himthese days. This has the same heart tug melodic pull that 'EndlessSummer' had, but with a maybe more desolate and mournful feel, perhapsan endless autumn for leaves to flutter down from now on? Based inMontreal, Mitchell Akiyama began making this album with Cincinnatiresident Joshua Treble in the fall of 2001 and it seems that part ofthe year had at least a partial influence over the luscious sculptingsof their sound file exchanges. Most tracks spin revolving loops andslowly let more distorted melodic waves and dense static sheets unfurl,although occasionally a quick shift in pace occurs. Some of the titlesseem to imply a connection with restless internal states - "ViolentFeelings Often Pass" starts out calm but a tense heartbeat pulses andpumps the track to its ultimate escape. There's also a few nods tofailure, as if contemplative regret is the mood they were trying tocapture. "Just in Case We Lose" seems like a head on collision betweenthe classic abstraction of Stockhausen's 'Kontakte' and theaforementioned Fennesz, but it's over pretty fast. The following"Suspense de Vent" has a windblown oriental feel. "As Though" has adistant vinyl crackle atmosphere through which ghostly hymnal voicescall, as if Philip Jeck was in the house but the tape machines were onthe roof and a light rain was falling. It drops out drainwards, butthen crunches back in a faster echotechno canyon. 'Climate Variations'is a fine disc for all weathers as the title implies. Cranked up loudit rocks in a sublimely mind altering futurist fashion. Low levellistening allows total immersion in endless imaginative loops, a lovelyway to drift away. Each listen reveals more detail in the cracklingether variations, and each time the disc spins it just gets better. Myradar will certainly now be tracking Akiyama, who runs intr_version andhas released an album on Alien 8 sublabel Substractif, and Treble, whoruns aii and has previously released an album on Pitchcadet. Theintr_version website had a bubble movie that goes well with the music,but was bereft of information last time I looked.
Giant green cyborg squelching through swampland suddenly soars skyward.Distant echoes of sad cornfields fluttering in late summer breeze. Theaftermath of destruction "World Remains" revolve in forlorn beauty."Ruin Her Slowly" pumps a chuggging fat mutant bassbeat for wistfulpiano chops to chime into the haunted night. Then again maybe its amusic box merry go round drowning slowly in molasses. If you haven'tyet got Bored of Canada and get a kick out of the Fennesz guitar /laptop interface, then the duo called Désormais are definitely makingthe kind of noise you should hear. Yes, I'm harping on the Fenneszcomparisons again, but those abstracted My Bloody Valentine noiseloopsvia laptop glitchscrapes are hard to place without reference to himthese days. This has the same heart tug melodic pull that 'EndlessSummer' had, but with a maybe more desolate and mournful feel, perhapsan endless autumn for leaves to flutter down from now on? Based inMontreal, Mitchell Akiyama began making this album with Cincinnatiresident Joshua Treble in the fall of 2001 and it seems that part ofthe year had at least a partial influence over the luscious sculptingsof their sound file exchanges. Most tracks spin revolving loops andslowly let more distorted melodic waves and dense static sheets unfurl,although occasionally a quick shift in pace occurs. Some of the titlesseem to imply a connection with restless internal states - "ViolentFeelings Often Pass" starts out calm but a tense heartbeat pulses andpumps the track to its ultimate escape. There's also a few nods tofailure, as if contemplative regret is the mood they were trying tocapture. "Just in Case We Lose" seems like a head on collision betweenthe classic abstraction of Stockhausen's 'Kontakte' and theaforementioned Fennesz, but it's over pretty fast. The following"Suspense de Vent" has a windblown oriental feel. "As Though" has adistant vinyl crackle atmosphere through which ghostly hymnal voicescall, as if Philip Jeck was in the house but the tape machines were onthe roof and a light rain was falling. It drops out drainwards, butthen crunches back in a faster echotechno canyon. 'Climate Variations'is a fine disc for all weathers as the title implies. Cranked up loudit rocks in a sublimely mind altering futurist fashion. Low levellistening allows total immersion in endless imaginative loops, a lovelyway to drift away. Each listen reveals more detail in the cracklingether variations, and each time the disc spins it just gets better. Myradar will certainly now be tracking Akiyama, who runs intr_version andhas released an album on Alien 8 sublabel Substractif, and Treble, whoruns aii and has previously released an album on Pitchcadet. Theintr_version website had a bubble movie that goes well with the music,but was bereft of information last time I looked.
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