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DJ SHADOW, "DIMINISHING RETURNS"
No Label
Anyone who has seen the turntablism documentary Scratchwill remember the scene featuring Josh Charles, AKA DJ Shadow. He stoodin the secret basement of his favorite record store (locationundisclosed, of course) amid huge stacks of dusty, obscure vinyl,explaining the philosophy and allure of "crate digging". Hisinexhaustible energy for searching out rare groove, forgotten soul, andhopelessly esoteric breakbeats has given his albums a dark, shadowyatmosphere wholly appropriate to his moniker. While most of Shadow'searly mixes were characterized by clever constructions of breakbeatsfrom rare jazz and funk instrumentals from the likes of David Axelrodand Cannonball Adderly, his recent work (with the exception of most ofhis disappointing major label album) has taken him to the farthestreaches of psychedelia and European progressive rock. Being somewhat ofa rare psych and prog enthusiast, I admire this new direction and amdownright envious of the incredibly bizarre tracks he has managed todig up for this 120-minute live BBC mix. Diminishing Returns isa new, independently released 2-CD set that comprises the entiretwo-hour BBC mix as well as a brand new bonus track. The first hour ofthe mix focuses on underground, old school and leftfield hip-hoptracks. Many of these funny, clever and/or weird raps are matched withalternate breakbeats from another source. There is no tracklisting orsample credits to be found in the nonexistent liner notes, so most ofthese artists remain completely enigmatic to me. Someone more cleverthan I should try to name all of the artists and songs used here, but Iam hopeless at blindly identifying tracks. This first part of thesession is a dynamic hour of rarely-heard hip-hop gems, but it cannothold a candle to the genius of the final 40 minutes. For this last halfof the mix, Shadow creates a seamless adventure through all thingsdusty, strange and rare, focusing on obscure psychedelic rock andstrange progressive. Some of these songs are truly off-kilter andhallucinogenic, featuring trippy, introspective vocals, effects-ladenguitar noodling and mesmerizing beats. This is an impressive assemblageof esoterica that you are guaranteed never to hear anywhere else. Ialmost expected Arcesia, the acid-addled big band leader featured on Songs in the Key of Zto come into the mix singing "Butterfly Mind." At a staggering twohours, the mix still feels tight and engaging, which is an impressivefeat. The bonus track on the disc is an average re-hash of the kind ofhip-hop/rock instrumental constructs that dominated The Private Press. Diminishing Returns is a satisfying DJ mix, right up there with gems like Coldcut's 70 Minutes of Madness.If DJ Shadow wants to retain his credibility, he needs to stay awayfrom the feeble and average material evidenced on his major labelalbum, and stick to the kind of musical integrity he displays on mixeslike this one.
Anyone who has seen the turntablism documentary Scratchwill remember the scene featuring Josh Charles, AKA DJ Shadow. He stoodin the secret basement of his favorite record store (locationundisclosed, of course) amid huge stacks of dusty, obscure vinyl,explaining the philosophy and allure of "crate digging". Hisinexhaustible energy for searching out rare groove, forgotten soul, andhopelessly esoteric breakbeats has given his albums a dark, shadowyatmosphere wholly appropriate to his moniker. While most of Shadow'searly mixes were characterized by clever constructions of breakbeatsfrom rare jazz and funk instrumentals from the likes of David Axelrodand Cannonball Adderly, his recent work (with the exception of most ofhis disappointing major label album) has taken him to the farthestreaches of psychedelia and European progressive rock. Being somewhat ofa rare psych and prog enthusiast, I admire this new direction and amdownright envious of the incredibly bizarre tracks he has managed todig up for this 120-minute live BBC mix. Diminishing Returns isa new, independently released 2-CD set that comprises the entiretwo-hour BBC mix as well as a brand new bonus track. The first hour ofthe mix focuses on underground, old school and leftfield hip-hoptracks. Many of these funny, clever and/or weird raps are matched withalternate breakbeats from another source. There is no tracklisting orsample credits to be found in the nonexistent liner notes, so most ofthese artists remain completely enigmatic to me. Someone more cleverthan I should try to name all of the artists and songs used here, but Iam hopeless at blindly identifying tracks. This first part of thesession is a dynamic hour of rarely-heard hip-hop gems, but it cannothold a candle to the genius of the final 40 minutes. For this last halfof the mix, Shadow creates a seamless adventure through all thingsdusty, strange and rare, focusing on obscure psychedelic rock andstrange progressive. Some of these songs are truly off-kilter andhallucinogenic, featuring trippy, introspective vocals, effects-ladenguitar noodling and mesmerizing beats. This is an impressive assemblageof esoterica that you are guaranteed never to hear anywhere else. Ialmost expected Arcesia, the acid-addled big band leader featured on Songs in the Key of Zto come into the mix singing "Butterfly Mind." At a staggering twohours, the mix still feels tight and engaging, which is an impressivefeat. The bonus track on the disc is an average re-hash of the kind ofhip-hop/rock instrumental constructs that dominated The Private Press. Diminishing Returns is a satisfying DJ mix, right up there with gems like Coldcut's 70 Minutes of Madness.If DJ Shadow wants to retain his credibility, he needs to stay awayfrom the feeble and average material evidenced on his major labelalbum, and stick to the kind of musical integrity he displays on mixeslike this one.
