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Dubblestandart, "Immigration Dub"
Like labelmates Noiseshaper, the aptly named Dubblestandart operates in a space metaphorically and geographically outside of dub reggae. Whereas the trailblazing, crossreferencing On-U Sound roster managed to strike a balance between the integrity of its Jamaican forefathers and the promises of forward-thinking pop, this Austrian band has yet to earn the right to do little more than skulk under Adrian Sherwood's mighty shadow.
Collision - Cause Of Chapter 3
Last year's Are You Experienced failed in its attempt to replicate that admittedly tricky On-U formula, even going so far as to enlist original New Age Stepper Ari-Up for one of its few highlights, "Island Girl Dub." By contrast, Immigration Dub (which features both a new remix and a video for that collaboration as bonuses) is a more enjoyable though considerably less ambitious record, taking the emphasis off of genre-crossing and returning to the beating heart of dub.
The album starts strong with "We All Have To Get High," a tribal, funky, and almost soulful proclamation with a cheeky vibe sure to please those drawn to reggae for its generally pro-marijuance stance. "This One Is About Flying" and "Tiny Place Called Earth" stick to formulas previously utilized by the band as well as more potent forebears such as Mark Stewart or Tackhead. Perhaps a reference to the Angolan social democratic political party, "MPLA Dub" lightens the mood a bit musically while offering no distinct clues as to its meaning. The title track features spaced-out toasting from Nigeria-born 3gga and a solid rhythm section while "Dub 51" instantly recalls (with some concern) the chord changes of Rhythm & Sound's "See Mi Yah" riddim, though somewhat faster.
Strategically, the band sprinkles a few quality covers in with the originals, including a take on Dub Syndicate's "Wadada" featuring a sampled Prince Far I. Of particular note is a refix of Ken Boothe's "When I Fall In Love," reprised towards the album's end as an extended dub take. The snappy percussion and swirling vibes, along with the whistled hook, remind me just why I got into Dubblestandart in the first place. A step in the right direction, Immigration Dub shows more than a few glimpses of the promise unveiled on the absolutely essential Heavy Heavy Monster Dub record, though a stagnancy looms ominously on the proverbial horizon should the group grow complacent.
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