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Einstürzende Neubauten, "Tabula Rasa"
Neubauten's first album of the 1990s, is one of my favorite albums of the decade and Mute's expanded reissue generously comes with a bonus disc of nearly all the tracks released on the Interim and Malediction singles. It's an important point in their career, as, for the first time, the group seriously explored their more quiet, pretty, and introspective side. Even the album cover and lavish booklets suggest that Neubauten's intentions were to move the public perception away from being a noise/rock/ post-industrial outfit to more of an art band.
The intentions could also have been to pursue the art of songcraft as intensely as their craft of building instruments themselves. While it opens with the powerful "Die Interimsliebenden" and closes with the cacophonous 15 minute "Headcleaner," nearly everything contained between is a demonstration of a group using an amazing amount of restraint unwitnessed before. "Blume" is a gorgeous lullaby, rich with powerful imagery and the gentleness of a feather. On the original Mute release it's in English with vocals by Anita Lane, but on this reissue, the French version appears with vocals by Diana Orloff. Despite the swap, the mood isn't different, but it is a weird thing to hear after being used to the other version being there for so long. Blixa's voice is tame here and elsewhere on the creeping buzzing "12304 (te Nacht)," and moderately paced "Sie," and quietly whispered on the gorgeous orchestral "W?te." After years of mastering the amplification and recording of springs, taps, and other quiet noises, it seems appropriate to utilize some of these techniques on an almost inaudibly quiet voice. While it ushered in new movements to Neubauten's music, the vigor wasn't completely left behind, as the album ends on the four movement mini symphony of noise, "Headcleaner," opening like a horror movie, evil and foreboding, and eventually giving in to the relentless bashing and pounding of metallic and electronic percussion under the now signature screeches from Blixa. The bonus disc opens with a shortened English version of "Die Interimsliebenden," condensed with more harmonic guitars and synth layers, perhaps created with the goals of a hit single in mind, but it simply doesn't feel right in English, and with the additional instruments, the gripping pulse is somewhat reduced. "Salamandrina," which has become a popular live track, is a wonderful singalong, and has always confused me why it didn't appear on the album in the first place. "3 Thoughts" is an English reconstruction of "Sie," and the English and Japanese versions of "Blume" appear, while the disc ends with the fast-paced (but somewhat forgettable) upbeat singalong "Ubique Media Daemon." The important meat remains the first disc and listening now, 11 years after its original release, it has stood every test of time, sounding completely undated and equally as challenging as it was on its release.
