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Electro Commando 1: Welcome To PSICITY
PSI49NET
To be honest, I was extremely sluggish in getting into electro (read:not electroclash, otherwise known as "the new black"). Though theclassic "Planet Rock" is a song that I recall fondly from my youth,spending summers in Florida with my family and hearing my cousin DJArson spin down there, I never appreciated bass enough to listen toelectro. Only recently did this change, when a friend turned me on tothe Two Lone Swordsmen side project Radioactive Man. As I blared his CDthrough my new DJ headphones, I realized that there was a sweet sweetLordy in heaven, and His name was Bass. Hunting for a similar sound(and eager to dodge all things fischy and adult in the process), thename Anthony Rother came up several times. At the prodding of a friendof mine with his finger on the pulse of underground electro, I pickedup 'Welcome To PSICITY,' a compilation on Rother's own PSI49NET label.Many of the songs here are by Rother himself, either alone or withcollaborators in the regarded Netzwerk moniker, and he usuallyimpresses. From the EBM stylings of "PSI CITY" and "Hot Body" to thesexy synthpop of "In The Studio" and the Kraftwerkian "Little ComputerPeople," Rother lets determined voices and corroding arpeggios run wildamid thick bass hits. The bass here is delightful and will happilydamage your puny stereo if played loud enough, so proceed with cautionduring your next drug binge. Other noteworthy tracks from outsidecontributors include Mulletronic's upbeat "Eeyore" and Froyd's "WeissesRauschen", a 4/4 head-nodder reminiscent of older Underworld (circa'dubnobasswithmyheadman'). This 2 CD set does have a fair bit of iffytracks, particularly from some of the non-Rother projects, but thatshouldn't stop the electro novice from investigating it. (Most Rotherfans already own it, unless they've been hospitalized). Don't worry,everyone. Miss Kittin wont get mad if you buy an electro album thatdoesn't include her in the credits. Do it for yourself. Do it for Bass!Amen!
To be honest, I was extremely sluggish in getting into electro (read:not electroclash, otherwise known as "the new black"). Though theclassic "Planet Rock" is a song that I recall fondly from my youth,spending summers in Florida with my family and hearing my cousin DJArson spin down there, I never appreciated bass enough to listen toelectro. Only recently did this change, when a friend turned me on tothe Two Lone Swordsmen side project Radioactive Man. As I blared his CDthrough my new DJ headphones, I realized that there was a sweet sweetLordy in heaven, and His name was Bass. Hunting for a similar sound(and eager to dodge all things fischy and adult in the process), thename Anthony Rother came up several times. At the prodding of a friendof mine with his finger on the pulse of underground electro, I pickedup 'Welcome To PSICITY,' a compilation on Rother's own PSI49NET label.Many of the songs here are by Rother himself, either alone or withcollaborators in the regarded Netzwerk moniker, and he usuallyimpresses. From the EBM stylings of "PSI CITY" and "Hot Body" to thesexy synthpop of "In The Studio" and the Kraftwerkian "Little ComputerPeople," Rother lets determined voices and corroding arpeggios run wildamid thick bass hits. The bass here is delightful and will happilydamage your puny stereo if played loud enough, so proceed with cautionduring your next drug binge. Other noteworthy tracks from outsidecontributors include Mulletronic's upbeat "Eeyore" and Froyd's "WeissesRauschen", a 4/4 head-nodder reminiscent of older Underworld (circa'dubnobasswithmyheadman'). This 2 CD set does have a fair bit of iffytracks, particularly from some of the non-Rother projects, but thatshouldn't stop the electro novice from investigating it. (Most Rotherfans already own it, unless they've been hospitalized). Don't worry,everyone. Miss Kittin wont get mad if you buy an electro album thatdoesn't include her in the credits. Do it for yourself. Do it for Bass!Amen!
samples:
- Anthony Rother - PSI CITY
- Studio - In the Studio
- Anthony Rother - Don't Stop the Beat
