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Ex Models, "Zoo Psychology"
Frenchkiss
Ex Models torment their instruments, creating sounds that can be lookedupon as pushing the equipment to its limits or just plain making ithurt so that it screams in pain and joy. They are the latest masters ofthe no wave sound, emerging from the New York underground only severalyears ago and already boasting a mature sound and a loyal following. Zoo Psychologyis their second full-length, and it shows growth over their debut asthe band grows comfortable in some ways but branches out in others.These musicians want to dismantle the song structure, abating therelentless verse-chorus arrangements to allow for more adventurous andimprovisational terrain. At the same time, there is an overalldismemberment of melody and time signatures. All throughout, thebrothers Motia intertwine the screams of the guitars with the shrieksof Shahin, who seems to enjoy pushing his vocal cords until they don'teven have the will to relent. It's not easy listening, and it's not aneasy listen, either. It's organized disorder, with a fine sense ofhumor and a generous helping of tongue-in-cheek, particularly on thesong titles ("Fuck to the Music," "Brand New Panties," and "HeyBoner"). In fact, its the sexual charge that gets these songs across,despite the almost disjointed nature of the music. It's not foreveryone, but the near funk of "Hott 4 Discourse" and the jackhammer"What is a Price" can appeal to most anyone who likes post punk eardamaging noise. A band that's this unafraid to push their limits can'tdo anything but improve, and it'll be a strange and pleasureable rideevery time.
Ex Models torment their instruments, creating sounds that can be lookedupon as pushing the equipment to its limits or just plain making ithurt so that it screams in pain and joy. They are the latest masters ofthe no wave sound, emerging from the New York underground only severalyears ago and already boasting a mature sound and a loyal following. Zoo Psychologyis their second full-length, and it shows growth over their debut asthe band grows comfortable in some ways but branches out in others.These musicians want to dismantle the song structure, abating therelentless verse-chorus arrangements to allow for more adventurous andimprovisational terrain. At the same time, there is an overalldismemberment of melody and time signatures. All throughout, thebrothers Motia intertwine the screams of the guitars with the shrieksof Shahin, who seems to enjoy pushing his vocal cords until they don'teven have the will to relent. It's not easy listening, and it's not aneasy listen, either. It's organized disorder, with a fine sense ofhumor and a generous helping of tongue-in-cheek, particularly on thesong titles ("Fuck to the Music," "Brand New Panties," and "HeyBoner"). In fact, its the sexual charge that gets these songs across,despite the almost disjointed nature of the music. It's not foreveryone, but the near funk of "Hott 4 Discourse" and the jackhammer"What is a Price" can appeal to most anyone who likes post punk eardamaging noise. A band that's this unafraid to push their limits can'tdo anything but improve, and it'll be a strange and pleasureable rideevery time.samples:
