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Hardman, "Shirts and Pistols"
Quatermass
I can't shake the feeling that Shirts and Pistolsis Hardman's version of "Shits and Giggles," as this album plays like acollection of oddball in-jokes and quirky jams thrown together for fun.Toying with pop song melodies and structures, Hardman wrangle upconvincing electro-pop tunes that owe less to the punk ethos ofelectroclash than to psychadelia and surrealist non-sequiturs. Songsabout superheroes share the disc with tracks that juxtapose the variousmeanings of "Hardman" using porn and preacher samples with equal gusto.When they want to, as on "100 Years," the duo can craft hypnotic,organic electro-trip pieces that hum with strings and reverb andrepeating vocal phrases that drift out of consciousness. On the otherhand, tracks like "18's Fabric" touch on a kind of groovy,digitally-enhanced folk that's full of free verse poetry, acousticguitars and vibes. Whether they are playing with bluesy tones, straightup electronic pop, or something a little more leftfield, the songs arealways tight and short, leaving the album with a bit of a compiled,schizophrenic feel. In fact, a few of the tracks just kind of stopdead, as if the experiment that spawned them was suddenly brough to ahalt. This is, if ever there was one, a studio album where accomplishedproducers and musicians have afforded themselves the time and means tojot down whatever ideas might strike them. With that approach, thereare inevitably a few tracks that could be trimmed without losing much,but nothing is so long as to overstay its welcome. It sounds a bitself-indulgent at times, and borders on being too intentionally weird,but somehow Shirts and Pistols manages to stay endearing and interesting for 17 tracks.
I can't shake the feeling that Shirts and Pistolsis Hardman's version of "Shits and Giggles," as this album plays like acollection of oddball in-jokes and quirky jams thrown together for fun.Toying with pop song melodies and structures, Hardman wrangle upconvincing electro-pop tunes that owe less to the punk ethos ofelectroclash than to psychadelia and surrealist non-sequiturs. Songsabout superheroes share the disc with tracks that juxtapose the variousmeanings of "Hardman" using porn and preacher samples with equal gusto.When they want to, as on "100 Years," the duo can craft hypnotic,organic electro-trip pieces that hum with strings and reverb andrepeating vocal phrases that drift out of consciousness. On the otherhand, tracks like "18's Fabric" touch on a kind of groovy,digitally-enhanced folk that's full of free verse poetry, acousticguitars and vibes. Whether they are playing with bluesy tones, straightup electronic pop, or something a little more leftfield, the songs arealways tight and short, leaving the album with a bit of a compiled,schizophrenic feel. In fact, a few of the tracks just kind of stopdead, as if the experiment that spawned them was suddenly brough to ahalt. This is, if ever there was one, a studio album where accomplishedproducers and musicians have afforded themselves the time and means tojot down whatever ideas might strike them. With that approach, thereare inevitably a few tracks that could be trimmed without losing much,but nothing is so long as to overstay its welcome. It sounds a bitself-indulgent at times, and borders on being too intentionally weird,but somehow Shirts and Pistols manages to stay endearing and interesting for 17 tracks.
