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Highspire, "Your Everything"
Clairecords
The squeals and other damage that open this debut are a perfectindication of the whole experience that awaits, and the wall of soundguitars and other effects just add to the splendor inside. Hailing fromPhiladelphia, Highspire have taken their time with this record,starting recording in 2000 and just now getting around to releasing it.The extra work shows and pays off, as even though there is some fluffhere and there this is a polished thirteen tracks that use dreamscapeinfluence to its fullest extent. The band rarely gets dragged down inthe mud, instead incorporating whatever tricks they can to elevate theproceedings, and still instill variety. To shift from the expansive butmeasured first track to the acoustic guitar and keyboard violin of thesecond isn't a smooth transition, but it works somehow, especially whenthe distorted and delayed guitar make a subversive re-entrance. They'vebacked off slightly, allowing the nuances in the strumming and the fauxstrings to overtake the speakers. Words are not as important, either,seeming more as an after thought to the music, which carries themajority of the meaning through the melody. In fact, the atmospherethat is created by the different tones and background vocals alonecould carry most of these songs, not that the lead vocals are at allobtrusive. It just sounds carefully controlled, as though thecompositions were started out of improvisation, but locked down onceborn. Every note is planned, every emotion is created to illicit aprescribed response. No matter. It's still magical, and when all thepieces came together, it pulled me in and hasn't let go. -
The squeals and other damage that open this debut are a perfectindication of the whole experience that awaits, and the wall of soundguitars and other effects just add to the splendor inside. Hailing fromPhiladelphia, Highspire have taken their time with this record,starting recording in 2000 and just now getting around to releasing it.The extra work shows and pays off, as even though there is some fluffhere and there this is a polished thirteen tracks that use dreamscapeinfluence to its fullest extent. The band rarely gets dragged down inthe mud, instead incorporating whatever tricks they can to elevate theproceedings, and still instill variety. To shift from the expansive butmeasured first track to the acoustic guitar and keyboard violin of thesecond isn't a smooth transition, but it works somehow, especially whenthe distorted and delayed guitar make a subversive re-entrance. They'vebacked off slightly, allowing the nuances in the strumming and the fauxstrings to overtake the speakers. Words are not as important, either,seeming more as an after thought to the music, which carries themajority of the meaning through the melody. In fact, the atmospherethat is created by the different tones and background vocals alonecould carry most of these songs, not that the lead vocals are at allobtrusive. It just sounds carefully controlled, as though thecompositions were started out of improvisation, but locked down onceborn. Every note is planned, every emotion is created to illicit aprescribed response. No matter. It's still magical, and when all thepieces came together, it pulled me in and hasn't let go. -
