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hrvatski, "swarm and dither"
Planet Mu
When most music snobs think of the word album, they tend to discount the concept of the compilation (in comparison to the release of a full-length recording of new material). In actuality, all full-length albums are compilations themselves of thoughts and ideas which materialize as audio compositions. While Keith Fullerton Whitman has never recorded and released a full-length album as Hrvatski, listening to his second compilation is much like going through somebody's personal photo album with the brief little captions underneath each picture. "Here I am restructuring a Kid 606 track you've all heard," "this one was taken in the hallway of an apartment building," "here I am doing a Rolling Stones tribute," and thankfully each snapshot is enjoyable. For 'Swarm and Dither,' the whole story isn't even close to being completed—this isn't to be regarded as an anthology or a definitive collection, however it does make for a great collection of the finer moments of Whitman's experience as Hrvatski, picking up where 1998's 'Oiseaux' left off. Included are the choppy hyperactive cuts like "2nd Zero Fidelity Mandible Investigation" which could easily have been recorded the same day as the opening classic "Vatstep DSP," appearing for the first time ever on a Hrvatski record (outnumbered by the two appearances on Kid 606 projects). The 16-second "Untitled Fields" is a good tension-reliever as well as the all-too-short "Gemini," culled from the release 'Autumn Nature.' Some of the more chin-scratching pieces include his abstract cover version of "Paint It, Black," and the sample-montage of "Anestetise Thineself," in which he could easily be paying tribute to Tear Garden's "OOEEOO," but I doubt that was intentional. My personal favorite moments on the compilation are the new tracks "Freie Zeit," an improvised bit which just happened to be captured and the waltzing closer, "Tegenborg," equipped with enough distorted prog-rock cock-rock guitars and hand claps to make any DSP fan cringe. Maybe one of these days Hrvatski will do some sort of a conceptual album, but for now, this listen is rewarding enough.
When most music snobs think of the word album, they tend to discount the concept of the compilation (in comparison to the release of a full-length recording of new material). In actuality, all full-length albums are compilations themselves of thoughts and ideas which materialize as audio compositions. While Keith Fullerton Whitman has never recorded and released a full-length album as Hrvatski, listening to his second compilation is much like going through somebody's personal photo album with the brief little captions underneath each picture. "Here I am restructuring a Kid 606 track you've all heard," "this one was taken in the hallway of an apartment building," "here I am doing a Rolling Stones tribute," and thankfully each snapshot is enjoyable. For 'Swarm and Dither,' the whole story isn't even close to being completed—this isn't to be regarded as an anthology or a definitive collection, however it does make for a great collection of the finer moments of Whitman's experience as Hrvatski, picking up where 1998's 'Oiseaux' left off. Included are the choppy hyperactive cuts like "2nd Zero Fidelity Mandible Investigation" which could easily have been recorded the same day as the opening classic "Vatstep DSP," appearing for the first time ever on a Hrvatski record (outnumbered by the two appearances on Kid 606 projects). The 16-second "Untitled Fields" is a good tension-reliever as well as the all-too-short "Gemini," culled from the release 'Autumn Nature.' Some of the more chin-scratching pieces include his abstract cover version of "Paint It, Black," and the sample-montage of "Anestetise Thineself," in which he could easily be paying tribute to Tear Garden's "OOEEOO," but I doubt that was intentional. My personal favorite moments on the compilation are the new tracks "Freie Zeit," an improvised bit which just happened to be captured and the waltzing closer, "Tegenborg," equipped with enough distorted prog-rock cock-rock guitars and hand claps to make any DSP fan cringe. Maybe one of these days Hrvatski will do some sort of a conceptual album, but for now, this listen is rewarding enough.
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