 |
|
Iron & Wine, "Our Endless Numbered Days"
Sub Pop
Sam Beam, the man behind Iron & Wine, has changed his approach onthis, his second full-length album. The previous album featured Beam onhis own, playing the instruments (primarily guitar and banjo) andrecording at home on a 4-track. Our Endless Numbered Daysfinds him employing the help of the musicians who accompany him in liveperformances, playing a wider variety of instruments, and recording ina studio. Although this allows Beam to broaden his horizons musically,it seems that in the process his new material suffers from being lesspersonal and more watered-down. Though Beam tends to wear his gentlyfolky influences on his sleeve (i.e. Nick Drake and Tim Buckley), hesucceeds in making the style into something which is unique. "On YourWings," which kicks the album off to a promising start, soon peters outinto the wimpy "Naked As We Came," which is musically along the linesof I&W's first records, but overpowered by maudlin lyrics.Unfortunately, Our Endless Numbered Days is hard pressed torecover the initial spark with which it began. That is not to say thatthe album is wholly without merit. "Teeth in the Grass" has an earthycharm, and "Each Coming Night" is beautiful, albeit brief return toform. Sadly, however, these are the exception and not the rule.
Sam Beam, the man behind Iron & Wine, has changed his approach onthis, his second full-length album. The previous album featured Beam onhis own, playing the instruments (primarily guitar and banjo) andrecording at home on a 4-track. Our Endless Numbered Daysfinds him employing the help of the musicians who accompany him in liveperformances, playing a wider variety of instruments, and recording ina studio. Although this allows Beam to broaden his horizons musically,it seems that in the process his new material suffers from being lesspersonal and more watered-down. Though Beam tends to wear his gentlyfolky influences on his sleeve (i.e. Nick Drake and Tim Buckley), hesucceeds in making the style into something which is unique. "On YourWings," which kicks the album off to a promising start, soon peters outinto the wimpy "Naked As We Came," which is musically along the linesof I&W's first records, but overpowered by maudlin lyrics.Unfortunately, Our Endless Numbered Days is hard pressed torecover the initial spark with which it began. That is not to say thatthe album is wholly without merit. "Teeth in the Grass" has an earthycharm, and "Each Coming Night" is beautiful, albeit brief return toform. Sadly, however, these are the exception and not the rule.
