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Jamie Barnes, "The Fallen Acrobat"
Silber
The debut release by this Louisville, KY, musician is cut from a verysimilar grain as the recent works by Jon DeRosa and Nathan Amundson,though with the added twist of a very clever sense of humor. Barnesdoesn't take himself too seriously on these songs even though they areof the most intimate sort, recorded over a year in his bedroom likesome indie-folk Moby. He does wear his influences a bit too proudly onhis sleeve, though, even covering "Anyway..." by Rivulets and thankingthe obvious objects of comparison in the liner notes. I'll forgive thatany day, though, when the work is this full of promise and yetbrilliantly quirky all in the same moment. Barnes plays all theinstruments on Acrobat,which basically amounts to guitar and minimal percussion, but thesimplicity of this music and his vocal presence make it seem like somuch more. The title track is sickeningly sweet but with a morbid edge,as the narrator falls for a girl like an acrobat who plummets from thewire. Barnes sings about her picking up his limbs and putting them backin their sockets before the vultures come and it's still the sweetestsong about love I've heard this year. The songs run the gamut ofemotions and situations, from swerving into oncoming traffic on "GamesWe Play on Road Trips" to unrequited love that turns to murder on "waitFor Her" (incidentally, any folk song that actually uses the word"shiv" soars to the top of my list instantly). Barnes is notnecessarily an innovator, but his debut album is accomplishednonetheless; not too shabby for a 21-year-old college dropout.
The debut release by this Louisville, KY, musician is cut from a verysimilar grain as the recent works by Jon DeRosa and Nathan Amundson,though with the added twist of a very clever sense of humor. Barnesdoesn't take himself too seriously on these songs even though they areof the most intimate sort, recorded over a year in his bedroom likesome indie-folk Moby. He does wear his influences a bit too proudly onhis sleeve, though, even covering "Anyway..." by Rivulets and thankingthe obvious objects of comparison in the liner notes. I'll forgive thatany day, though, when the work is this full of promise and yetbrilliantly quirky all in the same moment. Barnes plays all theinstruments on Acrobat,which basically amounts to guitar and minimal percussion, but thesimplicity of this music and his vocal presence make it seem like somuch more. The title track is sickeningly sweet but with a morbid edge,as the narrator falls for a girl like an acrobat who plummets from thewire. Barnes sings about her picking up his limbs and putting them backin their sockets before the vultures come and it's still the sweetestsong about love I've heard this year. The songs run the gamut ofemotions and situations, from swerving into oncoming traffic on "GamesWe Play on Road Trips" to unrequited love that turns to murder on "waitFor Her" (incidentally, any folk song that actually uses the word"shiv" soars to the top of my list instantly). Barnes is notnecessarily an innovator, but his debut album is accomplishednonetheless; not too shabby for a 21-year-old college dropout.
Greg Davis, Ben Vida (Bird Show), and Keith "Hrvatski" Whitman
Greg Davis, Ben Vida, and Keith Fullerton Whitman each have new albums on Kranky and are on the road, touring and playing together as a trio for the first time. While we settled on the name of this Eye segment as "Nightcrawlers," rejected titles included "Menage a' Beard," "Friends That Play Together Stay Together," and "Banjovi." Hopefully we can look forward to an amazing album from the three eventually.
