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Jessika Kenney & Eyvind Kang, "Aestuarium"
Originally released on CD-R in 2005, this vinyl only reissue of vocalist Jessika Kenney and violist Eyvind Kang’s collaboration is one of the inaugural releases on Stephen O’Malley’s new Ideologic Organ label. Both artists have worked with O’Malley in Sunn O))) but to expect anything remotely like O’Malley’s own music would be a mistake. This is quiet, contemplative, and fully acoustic; both artists explore the relationships between each others' craft. They intentionally break down the barriers between voice and viola and between playing music and singing.
Thorughout Aestuarium, Kenney’s voice drifts into Kang’s viola like a river into the sea; the two merge into one and become indistinguishable from each other. In the opening moments of "Orcus Pellicano," my ears are bamboozled by this strange symbiosis of timbre. Together, Kenney’s voice and the viola form a third instrument that retains some of the individual character of both instruments but with another dimension that either on its own is incapable of creating. This idea of mixing two similar timbres to form a new middle ground between the two is reflected in the album’s title, an archaic term for an estuary.
Kenney’s interest in Persian music comes through strong on Aestuarium as she explores scales more in line with traditional Middle Eastern music than with western composition. Kang is more than adept both at following Kenney’s lead and in taking the reins himself; at times it is hard to tell who is following who as they almost become one Janus-like figure. On "Unnamed Figures," their respective performances become so entwined that it is hard to believe that one mind is not controlling both musicians. It sounds like Kenney is trying to make Kang play outside his comfort zone and at the same time Kang is pulling Kenney to a point where her voice is tested to its limits.
While I made clear that this is nothing like Sunn O))), it is easy to see why O’Malley would pick this album for his label. Kenney and Kang chase timbre and tone in the same way O’Malley and Greg Anderson do in Sunn O))). In this way, Aestuarium is more than a collection of songs by the duo, here Kenney and Kang have created deeply spiritual as well as conceptual music that could easily have come from a thousand years ago or from 2005. In any case, I wish I had heard this album when it first came out as I feel I have been missing out on something incredible for too long.
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