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Jesu, "Infinity"
Justin Broadrick had previously stated that this album was going to be a return of the more "organic" Jesu sound, and compared to everything since Conqueror, it by far is. Consisting of a single 18 minute piece, Infinity feels much more in league with some of the more melancholy Godflesh work, and especially the first Heart Ache EP. Any naysayers that say the man has gone soft won't feel the same way after this one.
Although it opens with sparse sequenced keyboards and gentle guitar, less than three minutes in a mechanized double kick drum slams in flanked by deep, detuned riffs. Sounds a lot like Godflesh, no? In a way, yes, but the sustained pure guitar tone and Broadrick’s singing make it clear that this is a Jesu record, even if it is a harder edged one.
This dichotomy stays consistent throughout the album, the deep riffs and plodding drum machine (I think the old Alesis SR-16 reappears here) are contrasted with Broadrick’s soft vocals and delicate guitar playing. Even the slower sludgy moments are still laced with chiming guitar that is more delicate than anything Godflesh ever did, and the building tension through the first quarter of this disc is great.
Some 16 minutes in, however, Broadrick goes into hate scream mode, a sound that he has mostly abandoned since the latter half of "Ruined" from the debut EP. I have never been a fan of that vocal style, one of the reasons I don’t look at Streetcleaner as fondly as many others due. Here it comes across a bit too forced and unnecessary. It might be personal preference here, but it is too over the top. Those who pine for the death metal tinged days of Streetcleaner will be happy I bet.
The second half stays rooted in the lugubrious pace the album began with, slow riffs that feel a bit like a less metallic version of "Merciless" that eventually fade into the more gentle post rock guitar sound of Jesu. Again, it’s reminiscent of the first two releases though a bit more sparse and somewhat like the split with Battle of Mice. The Japanese pressing again adds bonus material, in the form of "Infinity 2," essentially an alternate mix of the last segment of the track that is a bit more dense than what is presented here, though not by much.
For the most part the electronic elements are minimized on this disc, mostly relegated to the drum machine and the occasional synth flourish, far less than on the Envy split or the Why Are We Not Perfect EP. It is definitely more organic and "traditional" sounding than most of the recent Jesu work, stripping the sound down to its barest essentials, and demonstrating that Broadrick does not need to rely on machines or heavy digital processing to make a compelling work.
While the format makes causal listening difficult, "Infinity" is an ever shifting work that never bogs down or becomes stagnant. Even with its longform style, there are discernable segments that are as beautiful or as raw as anything Jesu has done, and pulls away from the ever-increasing pop sensibilities that have been developing. It’s not quite the headbanging fest that old school Godflesh fans have been waiting for, but I’m sure they’ll still find much to like here.
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