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J.O.Y., "SUNPLUS"
DFA
K.U.D.O. from Unkle, Kan Takagi of Major Force and Yoshimi P-We of TheBoredoms/OOIOO together make up J.O.Y., the group behind this eccentricnew single on DFA. J.O.Y.'s "Sunplus" is a percussive samba danceexcursion, a wacked-out psychedelic version of the theme song to George of the Jungle.Sharing the brightly-colored, hyperkinetic qualities of J-Pop superstargroup Puffy AmiYumi, J.O.Y. incorporate a dizzying assemblage ofeclectic instrumentation—xylophones, steel drum, synthesized handclapsand a room full of bells and percussion—to achieve their unique sound."Sunplus" would not sound out of place on Yamatsuka Eye'sshort-attention-span DJ Pica Pica Pica mix CD, with its hyperactiveatmosphere and manic rhythms. DFA's remix takes up Side B of this 45RPM single, brilliantly reworking the song into a more jagged,aggressive dance-punk track. By filtering out some of the anarchicclatter of J.O.Y.'s original, Murphy and Goldsworthy streamline thetrack and add some forward momentum, highlighting Yoshimi's punkishvocals and upping the cowbell quotient by several degrees. Togetherwith the earlier EYE Remix of Black Dice's "Endless Happiness" (on theB-Side of the Cone Toaster single), DFA has put out some of the most joyously unclassifiable Japanese experimental pop since Asa Chang & Junray's Song Chang.
K.U.D.O. from Unkle, Kan Takagi of Major Force and Yoshimi P-We of TheBoredoms/OOIOO together make up J.O.Y., the group behind this eccentricnew single on DFA. J.O.Y.'s "Sunplus" is a percussive samba danceexcursion, a wacked-out psychedelic version of the theme song to George of the Jungle.Sharing the brightly-colored, hyperkinetic qualities of J-Pop superstargroup Puffy AmiYumi, J.O.Y. incorporate a dizzying assemblage ofeclectic instrumentation—xylophones, steel drum, synthesized handclapsand a room full of bells and percussion—to achieve their unique sound."Sunplus" would not sound out of place on Yamatsuka Eye'sshort-attention-span DJ Pica Pica Pica mix CD, with its hyperactiveatmosphere and manic rhythms. DFA's remix takes up Side B of this 45RPM single, brilliantly reworking the song into a more jagged,aggressive dance-punk track. By filtering out some of the anarchicclatter of J.O.Y.'s original, Murphy and Goldsworthy streamline thetrack and add some forward momentum, highlighting Yoshimi's punkishvocals and upping the cowbell quotient by several degrees. Togetherwith the earlier EYE Remix of Black Dice's "Endless Happiness" (on theB-Side of the Cone Toaster single), DFA has put out some of the most joyously unclassifiable Japanese experimental pop since Asa Chang & Junray's Song Chang.
