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Kathleen Edwards, "Failer"
Zoë
The alternative country sound seems to get no respect anymore, as itnever really achieved any of the goals it was going for. There arepublications dedicated to it, sure, and records come out all the timefor its stalwarts like Ryan Adams and the Jayhawks; but alt-country, asit is often called, never revolutionized country music, and its artistsare still not widely recognized by mainstream country. With theexception of bands like Nickel Creek doing a Stephen Malkmus song ontheir last album or Johnny Cash doing Soundgarden or Nine Inch Nails,it also seems to have lost some of its alternative edge. That's allabout to change with the arrival of Kathleen Edwards. For me, thepinnacle of the alt-country sound was Whiskeytown, the band Ryan Adamshad with Caitlin Cary until 2000. They had it all: beautiful harmonies,great hooks, and songs about booze and heartache. Edwards continuestheir sound on the first song on Failer,then promptly blows it the hell away. She even plays violin, like Carydid in Whiskeytown, adding a sadness or playfulness to certain songs,just to get the right feeling in the right place. Her sound is at onceclassic and new, her voice is assured and insecure, the songs perfectand uneven. She's also quite aware of the difficulties of selling hersound, as she states nicely in "One More Song the Radio Won't Like,"and on songs like "Six O'Clock News" and "Hockey Skates" you wonder whythe mainstream press won't just eat it up at the same time that youhope they won't. Even though there seems to be a preoccupation withbooze and bars in her music, they're not bad things for a country starto be singing about, though it seems there are more weaknesses Edwardscould be exploring. She hints at big ones in small mentions, aboutbabies coming in June, and how she can't seem to do anything right.Every time it comes right back to tipping a glass/bottle or, on onesong at least, getting high. Mostly, though, the whole album has a feelabout getting out. Maybe Edwards will break out with this record, but Ihope she doesn't lose sight of this desperation and sadness. It's worthmuch more even it means no one will hear it.
The alternative country sound seems to get no respect anymore, as itnever really achieved any of the goals it was going for. There arepublications dedicated to it, sure, and records come out all the timefor its stalwarts like Ryan Adams and the Jayhawks; but alt-country, asit is often called, never revolutionized country music, and its artistsare still not widely recognized by mainstream country. With theexception of bands like Nickel Creek doing a Stephen Malkmus song ontheir last album or Johnny Cash doing Soundgarden or Nine Inch Nails,it also seems to have lost some of its alternative edge. That's allabout to change with the arrival of Kathleen Edwards. For me, thepinnacle of the alt-country sound was Whiskeytown, the band Ryan Adamshad with Caitlin Cary until 2000. They had it all: beautiful harmonies,great hooks, and songs about booze and heartache. Edwards continuestheir sound on the first song on Failer,then promptly blows it the hell away. She even plays violin, like Carydid in Whiskeytown, adding a sadness or playfulness to certain songs,just to get the right feeling in the right place. Her sound is at onceclassic and new, her voice is assured and insecure, the songs perfectand uneven. She's also quite aware of the difficulties of selling hersound, as she states nicely in "One More Song the Radio Won't Like,"and on songs like "Six O'Clock News" and "Hockey Skates" you wonder whythe mainstream press won't just eat it up at the same time that youhope they won't. Even though there seems to be a preoccupation withbooze and bars in her music, they're not bad things for a country starto be singing about, though it seems there are more weaknesses Edwardscould be exploring. She hints at big ones in small mentions, aboutbabies coming in June, and how she can't seem to do anything right.Every time it comes right back to tipping a glass/bottle or, on onesong at least, getting high. Mostly, though, the whole album has a feelabout getting out. Maybe Edwards will break out with this record, but Ihope she doesn't lose sight of this desperation and sadness. It's worthmuch more even it means no one will hear it.
