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Kattoo, "Places"
Hymen
While the debut solo CD by Volker Kahl of German duo Beefcake runs thegamut of electronic styles, the album is a unified, enjoyable listen.Through 60 minutes, styles move from breakcore to sweeping ambientsoundscapes to melodic electronica, but by naming the tracks "Place1"through "Place11" he adheres to the concept of travel. Thejuxtaposition of moods from track to track makes Placesfeel like an actual journey. "Place1" recalls a city environment, withits quick tempo invoking the fast-paced nature of urban life. "Place2"features cut-up voices and rapid-fire beats, and contrasts sharply withthe orchestral "Place3," during which an eerie narrator asks to "listenfor my voice. I will tell you what to do". With this track Kattoocreates a sweeping, epic sound that resembles a landscape seen whilesoaring high above. The combination of excellent source material andskillful production make "Place4" a stand-out track. Here he pits heavymetal guitar riffs against intricately programmed live drumming, withswirling ambience lingering in the background. "Place5" is a melloweraffair, and recalls Kahl's work with Beefcake in that it featuressoulful, albeit manipulated, vocals. The sedate, melodic quality ofthis track balances the heavy beat-oriented "Place6" which follows it.The only part of the set that loses me is the closing seven minute"Place11," which consists solely of a man speaking in German. If he hadmade this kind of piece as a link track it would have been lessdisruptive to the flow of the album. Since I don't understand German,the importance of the text is lost on me, although at one point he sayssomething about President Roosevelt. The addition of a remix of"Place7" by Flaque after this monologue is a welcome return to music,with tinkly beats and synthesizer washes interspersed with recordingsof a roomful of people talking. Although the landscape photographs onthe sleeve are appropriate for the theme, it is surprising that theusually inventive graphic designer Salt has used a layout that soclosely resembles that of the Azure Skies CD from 2001, which alsodepicts landscapes on its cover.
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