 |
|
Kid 606, "Kill Sound Before Sound Kills You"
Ipecac
"The Illness" bombastically opens the second full-length release onIpecac for Kid 606. It's a refreshing change from what seemed like anendless parade of songs entirely built on popular hip hop samples,which, frankly got really old, really quick. From minute one, we'redancing again: it's not a just a barrage of noise and it makes nearlyeverything since the last full-length record seem like filler. It seemsthat an attention on both song structure and fun stuff are being givennearly equally. However, some of my favorite elements like melody andconsistency within a few tracks are forfeitted by a strong attentiondefeceit, but it's always been a 606-ism, dating back to the VinylCommunication days. Much like his last Ipecac full-lengther (gosh wasit over three years ago already?) Kill Soundis much like a collection of sorts, providing slices of the variousstyles 606 has tackled over the years. There's plenty of nightmarishupbeat post-gabber noisefests like "Powerbookfiend" and the b-side to The Illness,"Ecstasy Motherfucker," while downtempo breathers like "Andy Warhol isDead" and the serene closer "Parenthood" are very pretty but a bit tooshort. Wayne Lonesome, a dancehall DJ/vocalist from Kingston arrives onthe scene (most likely through the Bug and Rootsman connection) to givevoice for "Buckle Up," which is probably the strongest track on thedisc (look for a hot 12" on the new offshoot Shockout). At times, riffsare started but neither strengthened nor mutated, making repetition ofideas and lingering memories a bit difficult. The psycho-dub bass riffat the end of "Who Wah Kill Sound?" for example aches to be exploitedand mutated, but is left pretty much alone. What is repeated, (orperhaps overused), are some of the samples used throughout differenttracks. (God I wish he gave up the "yeah, wow" bit was killed after thefirst song.) Those who have been able to catch 606 live this past yearhave probably noticed how much more dense the music seems to bebecoming, and in most respects, this album is a fun dance party, buthe's proven that he has the ability to make a few brilliant songscompletely over the top, and after seeing a fantastic live show, I maybe guilty of expecting something ever so slightly more on an album. Theaddition of the video for "The Illness," however, is awesome, as acartoon kitten tries to kill sound before sound kills him.
"The Illness" bombastically opens the second full-length release onIpecac for Kid 606. It's a refreshing change from what seemed like anendless parade of songs entirely built on popular hip hop samples,which, frankly got really old, really quick. From minute one, we'redancing again: it's not a just a barrage of noise and it makes nearlyeverything since the last full-length record seem like filler. It seemsthat an attention on both song structure and fun stuff are being givennearly equally. However, some of my favorite elements like melody andconsistency within a few tracks are forfeitted by a strong attentiondefeceit, but it's always been a 606-ism, dating back to the VinylCommunication days. Much like his last Ipecac full-lengther (gosh wasit over three years ago already?) Kill Soundis much like a collection of sorts, providing slices of the variousstyles 606 has tackled over the years. There's plenty of nightmarishupbeat post-gabber noisefests like "Powerbookfiend" and the b-side to The Illness,"Ecstasy Motherfucker," while downtempo breathers like "Andy Warhol isDead" and the serene closer "Parenthood" are very pretty but a bit tooshort. Wayne Lonesome, a dancehall DJ/vocalist from Kingston arrives onthe scene (most likely through the Bug and Rootsman connection) to givevoice for "Buckle Up," which is probably the strongest track on thedisc (look for a hot 12" on the new offshoot Shockout). At times, riffsare started but neither strengthened nor mutated, making repetition ofideas and lingering memories a bit difficult. The psycho-dub bass riffat the end of "Who Wah Kill Sound?" for example aches to be exploitedand mutated, but is left pretty much alone. What is repeated, (orperhaps overused), are some of the samples used throughout differenttracks. (God I wish he gave up the "yeah, wow" bit was killed after thefirst song.) Those who have been able to catch 606 live this past yearhave probably noticed how much more dense the music seems to bebecoming, and in most respects, this album is a fun dance party, buthe's proven that he has the ability to make a few brilliant songscompletely over the top, and after seeing a fantastic live show, I maybe guilty of expecting something ever so slightly more on an album. Theaddition of the video for "The Illness," however, is awesome, as acartoon kitten tries to kill sound before sound kills him.
