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Kid Spatula, "Meast"
Planet µ
Question: What could be worse than a CD comprised entirely of boringold side-project material never before deemed worthy of release?Answer: Two CDs of boring old side-project material never before deemedworthy of release. Unfortunately, that painfully true witticism onlyscratches the surface of just how wholly disappointing the latest KidSpatula (aka µ-Ziq) album truly is. To put it even more bluntly, Meast is Mike Paradinas' Drukqs,a meandering double disc journey through the foul dregs of hisproverbial cutting room floor. Regular readers of my snidecontributions here in The Brain might recall my favorable and at timesglowing review of the last µ-Ziq album, so rest assured that thisvitriolic reaction comes from someone who regularly enjoys Paradinas'smusic. Haphazardly throwing together previously unavailable tracks from1994-1998 in a way that would make even Richard D. James blush hardlymakes for enjoyable listening, let alone reviewing. My respect forParadinas' already available work during this time period (whichincludes In Pine Effect and Lunatic Harness) made it allthe more difficult to sit through this bland, unbalanced and all-in-alluninteresting affair. A significant number of tracks sound likeincomplete sketches and abandoned ideas that should have either beenworked on further or abandoned altogether. The peppy childlike melodiesof "Trike" repeat without moving the song in any direction worthnoting, cutting off its potential less than halfway through. "LocalJogger" opens with a gorgeous mesh of synth patches that quickly takesa trip downhill into a kind of kitschy pseudo 70's TV theme songnostalgia. Though it may sound unreasonably harsh, the content of theentire second disc could have been left off without much quality beinglost, save for the opening electro-hop cut "Sad & Solid." Only onetrack managed to extract any enthusiasm on my part: "Housewife"combines synth guitar goofiness and a naughtily recorded personal adover a funky dance groove for a result that warrants repeatedlistening. Though I imagine they already own Meast, evenParadinas and Planet µ completists would do well to avoid or ignorethis dismal effort from an electronic music legend. Anyone else stillhungry for some good Paradinas work should snatch up thestill-available Rephlex reissue of the classic Tango N' Vectif.
Question: What could be worse than a CD comprised entirely of boringold side-project material never before deemed worthy of release?Answer: Two CDs of boring old side-project material never before deemedworthy of release. Unfortunately, that painfully true witticism onlyscratches the surface of just how wholly disappointing the latest KidSpatula (aka µ-Ziq) album truly is. To put it even more bluntly, Meast is Mike Paradinas' Drukqs,a meandering double disc journey through the foul dregs of hisproverbial cutting room floor. Regular readers of my snidecontributions here in The Brain might recall my favorable and at timesglowing review of the last µ-Ziq album, so rest assured that thisvitriolic reaction comes from someone who regularly enjoys Paradinas'smusic. Haphazardly throwing together previously unavailable tracks from1994-1998 in a way that would make even Richard D. James blush hardlymakes for enjoyable listening, let alone reviewing. My respect forParadinas' already available work during this time period (whichincludes In Pine Effect and Lunatic Harness) made it allthe more difficult to sit through this bland, unbalanced and all-in-alluninteresting affair. A significant number of tracks sound likeincomplete sketches and abandoned ideas that should have either beenworked on further or abandoned altogether. The peppy childlike melodiesof "Trike" repeat without moving the song in any direction worthnoting, cutting off its potential less than halfway through. "LocalJogger" opens with a gorgeous mesh of synth patches that quickly takesa trip downhill into a kind of kitschy pseudo 70's TV theme songnostalgia. Though it may sound unreasonably harsh, the content of theentire second disc could have been left off without much quality beinglost, save for the opening electro-hop cut "Sad & Solid." Only onetrack managed to extract any enthusiasm on my part: "Housewife"combines synth guitar goofiness and a naughtily recorded personal adover a funky dance groove for a result that warrants repeatedlistening. Though I imagine they already own Meast, evenParadinas and Planet µ completists would do well to avoid or ignorethis dismal effort from an electronic music legend. Anyone else stillhungry for some good Paradinas work should snatch up thestill-available Rephlex reissue of the classic Tango N' Vectif.
