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kompakt 100
kompakt
A celebration of the highly regarded Kompakt label's hundredth release,this decadent and incestuous affair spans two lengthy discs featuringtheir stable of artists remixing one another. Playing out like theaural equivalent of a hip party that you geeks never get invited to,the listener travels regularly between the main dancefloor and chilloutroom inside some strange yet enthralling post-rave environment.Electronic music pioneers The Orb, represented here as Dr. AlexPaterson and Thomas Fehlmann presumably, open the first disc with agentle reminder to Kompakt's stable of hungry young ambient producers:you'll never be as good at this as we are. In their dense rework of UlfLohmann's "Because Before," flowing soundscapes and hidden rhythmsengage the ears, spending the final minute and a half with a subtlydubby feel. Tackling Reinhard Voigt's "Zu Dicht Dran," DJ Koze emergesvictorious with an irresistable floorfiller with buzzing synth leads,dirty effects, and a hard steady techno beat. Following in that style,Sascha Funke's bleepy and, yes, funky version of Thomas Fehlmann's"Radeln" (known by fans of Kompakt's Totalseries) presents a radical and clubby take on the original's quiethead-nodding grooves. Moving along, Joachim Spieth's near-industrialremix of M. Mayer's "17&4" contrasts greatly with Japanese producerKaito's melodic approach to the synthpop stylings of current scenesterfavorite Superpitcher. The CD closes with the Dettinger remix of CloserMusik's "One Two Three No Gravity", an overflowing cinematic cup ofgorgeous pads, gentle guitar plucking, and bizarrely emotive yetmeaningless vocal snippets. Disc Two features the guiltiest pleasure ofthe entire collection, a severely and dare-I-say embarassinglyAuto-Tuned sing-song remix of Freiland called "Frei/Hot Love" done byJustus Kohncke featuring Meloboy. The track's grating quality ismatched only by its unfortune catchiness, leaving it destined for thesetlists of merciless and quirky DJs alike. Fortunately, Jurgen Paapeand former Force Tracks' mainstays SCSI 9 and bring some order back tothe dancefloor with their versions of Schaeben & Voss' "The WorldIs Crazy" and Lawrence's "Teaser" respectively. Jonas Bering, whoselast album made my Top 10 list in 2003, offers a pleasant reworking ofDettinger's "Intershop" that clicks along dreamily, albeitrepetitively, while Ulf Lohmann's entrancing take on the same track isfar more minimal and droning. Hannes Teichmann wraps things up on aneerie note by remixing Markus Guenter's "In Moll," filling the speakerswith over seven minutes of gurgling noises, degrading sounds, and acorroded somewhat buried melody. In summation, this double-disccompilation is REQUIRED LISTENING for anyone out there who considersthemselves a fan of techno, house, or ambient music today. If The Orbthinks Kompakt is cool, then you should too.
A celebration of the highly regarded Kompakt label's hundredth release,this decadent and incestuous affair spans two lengthy discs featuringtheir stable of artists remixing one another. Playing out like theaural equivalent of a hip party that you geeks never get invited to,the listener travels regularly between the main dancefloor and chilloutroom inside some strange yet enthralling post-rave environment.Electronic music pioneers The Orb, represented here as Dr. AlexPaterson and Thomas Fehlmann presumably, open the first disc with agentle reminder to Kompakt's stable of hungry young ambient producers:you'll never be as good at this as we are. In their dense rework of UlfLohmann's "Because Before," flowing soundscapes and hidden rhythmsengage the ears, spending the final minute and a half with a subtlydubby feel. Tackling Reinhard Voigt's "Zu Dicht Dran," DJ Koze emergesvictorious with an irresistable floorfiller with buzzing synth leads,dirty effects, and a hard steady techno beat. Following in that style,Sascha Funke's bleepy and, yes, funky version of Thomas Fehlmann's"Radeln" (known by fans of Kompakt's Totalseries) presents a radical and clubby take on the original's quiethead-nodding grooves. Moving along, Joachim Spieth's near-industrialremix of M. Mayer's "17&4" contrasts greatly with Japanese producerKaito's melodic approach to the synthpop stylings of current scenesterfavorite Superpitcher. The CD closes with the Dettinger remix of CloserMusik's "One Two Three No Gravity", an overflowing cinematic cup ofgorgeous pads, gentle guitar plucking, and bizarrely emotive yetmeaningless vocal snippets. Disc Two features the guiltiest pleasure ofthe entire collection, a severely and dare-I-say embarassinglyAuto-Tuned sing-song remix of Freiland called "Frei/Hot Love" done byJustus Kohncke featuring Meloboy. The track's grating quality ismatched only by its unfortune catchiness, leaving it destined for thesetlists of merciless and quirky DJs alike. Fortunately, Jurgen Paapeand former Force Tracks' mainstays SCSI 9 and bring some order back tothe dancefloor with their versions of Schaeben & Voss' "The WorldIs Crazy" and Lawrence's "Teaser" respectively. Jonas Bering, whoselast album made my Top 10 list in 2003, offers a pleasant reworking ofDettinger's "Intershop" that clicks along dreamily, albeitrepetitively, while Ulf Lohmann's entrancing take on the same track isfar more minimal and droning. Hannes Teichmann wraps things up on aneerie note by remixing Markus Guenter's "In Moll," filling the speakerswith over seven minutes of gurgling noises, degrading sounds, and acorroded somewhat buried melody. In summation, this double-disccompilation is REQUIRED LISTENING for anyone out there who considersthemselves a fan of techno, house, or ambient music today. If The Orbthinks Kompakt is cool, then you should too.- Ulf Lohmann - Because Before (remix by The Orb)
- Schaeben and Voss - The World is Crazy
- Reinhard Voigt - Zu Dicht Dran (DJ Koze remix)
