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Laibach, "WAT"
Mute
After a string of arguably mediocre releases, Laibach return with anunparallelled strength and urgency that basically invalidates thescores of modern post-post-industrial electronic body music pollutingdark clubs and college radio programs with horrible lines about deadlylove obsessions or other similar whiny crap. Laibach have proven in thepast with albums like Kapital and Opus Dei that they are capable of forceful electronic masterpieces, and with records like Krst-Pod Triglavom: Baptism and Macbeth,their love for theatrical grandeur show their ability to step out ofthe mold with anthemic treasures. Teamed up with two of NovaMute'stechno champions Iztok Turek and Umek, the results are nothing lessthan stellar. While plenty of european guys dress in black proclaimingthat we can dance as the world crumbles, Laibach is hands down the mostconvincing. There's no equal for the gritty, low lead voice and choralvocals combined with the loud and punchy syntheitics on tracks like "DuBist Unser," and songs like the "Achtung!," "Hell: Symmetry," and thealbum's single "Tanz Mit Laibach" (a nod to DAF) could easily set anyrivethead-filled industrial dancefloor on fire. There are other usesfor the record too: I personally found myself saved by it on publictransportation, which I absolutely hate taking when the inclementweather prevents me from cycling in to work and the loathsome commuterssniffling, sneezing and forcing me to stand piss me off.Doublep-tracked vocals on songs like "Ende" are ear-ticklinglydelicious. English-sung songs can almost be too comical to bear, sometimes. "Barbarians are coming...they'll burn down your cities andDisneylands...they will turn into snakes and you're better off dead ifthey crawl in your bed" is almost laughable on the song "Now YouWill Pay," making me long for a German version so I don't shoot waterout of my nose. There isn't a dull milisecond and the album never losesits strength. Be very careful, however, as the music can be sohypnotizing, that potentially damaging loud volumes are quitedesirable.
After a string of arguably mediocre releases, Laibach return with anunparallelled strength and urgency that basically invalidates thescores of modern post-post-industrial electronic body music pollutingdark clubs and college radio programs with horrible lines about deadlylove obsessions or other similar whiny crap. Laibach have proven in thepast with albums like Kapital and Opus Dei that they are capable of forceful electronic masterpieces, and with records like Krst-Pod Triglavom: Baptism and Macbeth,their love for theatrical grandeur show their ability to step out ofthe mold with anthemic treasures. Teamed up with two of NovaMute'stechno champions Iztok Turek and Umek, the results are nothing lessthan stellar. While plenty of european guys dress in black proclaimingthat we can dance as the world crumbles, Laibach is hands down the mostconvincing. There's no equal for the gritty, low lead voice and choralvocals combined with the loud and punchy syntheitics on tracks like "DuBist Unser," and songs like the "Achtung!," "Hell: Symmetry," and thealbum's single "Tanz Mit Laibach" (a nod to DAF) could easily set anyrivethead-filled industrial dancefloor on fire. There are other usesfor the record too: I personally found myself saved by it on publictransportation, which I absolutely hate taking when the inclementweather prevents me from cycling in to work and the loathsome commuterssniffling, sneezing and forcing me to stand piss me off.Doublep-tracked vocals on songs like "Ende" are ear-ticklinglydelicious. English-sung songs can almost be too comical to bear, sometimes. "Barbarians are coming...they'll burn down your cities andDisneylands...they will turn into snakes and you're better off dead ifthey crawl in your bed" is almost laughable on the song "Now YouWill Pay," making me long for a German version so I don't shoot waterout of my nose. There isn't a dull milisecond and the album never losesits strength. Be very careful, however, as the music can be sohypnotizing, that potentially damaging loud volumes are quitedesirable. samples:
