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Landing, "Fade In/Fade Out"
Strange Attractors Audio House
You've got to love Landing for being as prolific as they are, and for "spreading the wealth," as it were; releasing multiple projects a year on a host of different labels. 'Fade In/Fade Out' finds them growing into their collective skin even more, and easily stands as one of their finest works. The 5-song EP opens with a quiet energy, building only slightly, and revealing that, at last, Landing have captured and tuned the delicated balance between their wall of echoey guitars and the quieter beauty they can sustain. "Forest Ocean Sound" finishes with such delayed guitar, churning out a melody of intense charm. Then the space sounds and percussion of "Against the Rain" begin, stirring your soul to its very core as you listen, waiting for the crushing crescendo that never comes. Instead, Aaron and Adrienne Snow's vocals blend and intertwine with the music like never before, becoming one with the drone and swell around them. What makes this all particularly stunning is that this EP was conceived through improvisational sessions, with the songs being created and recorded at the same time. They all blend together so well that you realize how tight this band is, and how well they can read each other to create like this. Only on "Whirlwind" is there a hint of the Landing of before, with the drums becoming more pronounced, and the swirling guitars taking a background role to Adrienne's lilting vocals. On "Pulse," the distortion returns in full force, revealing a track almost Kronos Quartet in nature. Awe-inspiring music that will not leave my headphones for some time.
You've got to love Landing for being as prolific as they are, and for "spreading the wealth," as it were; releasing multiple projects a year on a host of different labels. 'Fade In/Fade Out' finds them growing into their collective skin even more, and easily stands as one of their finest works. The 5-song EP opens with a quiet energy, building only slightly, and revealing that, at last, Landing have captured and tuned the delicated balance between their wall of echoey guitars and the quieter beauty they can sustain. "Forest Ocean Sound" finishes with such delayed guitar, churning out a melody of intense charm. Then the space sounds and percussion of "Against the Rain" begin, stirring your soul to its very core as you listen, waiting for the crushing crescendo that never comes. Instead, Aaron and Adrienne Snow's vocals blend and intertwine with the music like never before, becoming one with the drone and swell around them. What makes this all particularly stunning is that this EP was conceived through improvisational sessions, with the songs being created and recorded at the same time. They all blend together so well that you realize how tight this band is, and how well they can read each other to create like this. Only on "Whirlwind" is there a hint of the Landing of before, with the drums becoming more pronounced, and the swirling guitars taking a background role to Adrienne's lilting vocals. On "Pulse," the distortion returns in full force, revealing a track almost Kronos Quartet in nature. Awe-inspiring music that will not leave my headphones for some time.
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