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LARS HORNTVETH, "POOKA"
Smalltown Supersound
One of several definitions of the word "pooka" is "a shape shiftingmagical being from Celtic folklore." It's somewhat a fitting title forJaga Jazzist member Lars Horntveth's debut solo recording, seeing asdefining his style of music would be difficult. Pooka'sstrong compositions draw from the cinematic to jazz to modernclassical, all with the underpinning of electronic-based elements and,at times, a slight edge. Employing a prominent and lush string section,Horntveth's intricate and challenging charts provide quite the workout,rather than just having them playing "eggs" to color in the spacesaround his performances on bass clarinet, saxophones, guitars and ahost of other instruments. For his twenty-four years in age, it'smind-blowing to hear such strong musicianship on a plethora ofinstruments paired with the maturity of his compositions, delicatearrangements and orchestration; or at any age, for that matter. Afterrepeated and very enjoyable listenings (my four-year-old asking it beplayed in the car), it only became apparent when taking more of acritical approach in preparing to review this disc that Horntveth may,at times, have a formula for changing keys when he's got a trulyamazing motif playing out. Yup, that's truly the only offending elementI could find. The more upbeat and driving tracks, such as "The Joker"and "1. Lesson In Violin" rely more on the poppy, electronic side ofthings and less on the backing orchestra; the syncopation of the lattertrack having Jaga Jazzist written all over it. Then again, with themajority of their tunes either written or co-written by Horntveth,comparisons and similarities are inevitable. The greatest track thisyear, "Tics" builds from plucked strings and minimal glitch beatsunderneath haunting soprano saxophone to a grandiose chorus of odd timesignature strings playing out an intricately woven, middle-Easterntinged melody. Having witnessed Horntveth's musical abilitiesfirst-hand and enjoyed his solo recording several times over, he is amusical genius-in-waiting and an important modern composer of his orany other generation.
One of several definitions of the word "pooka" is "a shape shiftingmagical being from Celtic folklore." It's somewhat a fitting title forJaga Jazzist member Lars Horntveth's debut solo recording, seeing asdefining his style of music would be difficult. Pooka'sstrong compositions draw from the cinematic to jazz to modernclassical, all with the underpinning of electronic-based elements and,at times, a slight edge. Employing a prominent and lush string section,Horntveth's intricate and challenging charts provide quite the workout,rather than just having them playing "eggs" to color in the spacesaround his performances on bass clarinet, saxophones, guitars and ahost of other instruments. For his twenty-four years in age, it'smind-blowing to hear such strong musicianship on a plethora ofinstruments paired with the maturity of his compositions, delicatearrangements and orchestration; or at any age, for that matter. Afterrepeated and very enjoyable listenings (my four-year-old asking it beplayed in the car), it only became apparent when taking more of acritical approach in preparing to review this disc that Horntveth may,at times, have a formula for changing keys when he's got a trulyamazing motif playing out. Yup, that's truly the only offending elementI could find. The more upbeat and driving tracks, such as "The Joker"and "1. Lesson In Violin" rely more on the poppy, electronic side ofthings and less on the backing orchestra; the syncopation of the lattertrack having Jaga Jazzist written all over it. Then again, with themajority of their tunes either written or co-written by Horntveth,comparisons and similarities are inevitable. The greatest track thisyear, "Tics" builds from plucked strings and minimal glitch beatsunderneath haunting soprano saxophone to a grandiose chorus of odd timesignature strings playing out an intricately woven, middle-Easterntinged melody. Having witnessed Horntveth's musical abilitiesfirst-hand and enjoyed his solo recording several times over, he is amusical genius-in-waiting and an important modern composer of his orany other generation.
