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Larvae, "Monster Music"
Ad Noiseam
Usuallly I find it challenging to discover releases from talentedartists among these piles of promotional and advance CDs. Often I'llspare a mediocre album (especially from a new artist) from the hostilewit often found in my reviews by simply leaving it be. So imagine mysurprise when I inserted Larvae's debut EP Monster Musicinto my stereo. Influenced by and sampling from Japanese monsterflicks, the opening track "Mothra" is a industrial-strength drum n bassbeast. Aggressive, dark, and catchy, it eventually morphs intodistorted hardcore techno that degrades into white hot sizzlingcacophony. Reminding of bass-fiend Mick Harris' Quoit project, as wellas his Shortcut To Connect album with Mick Harvey, "Ghidrah"liberally applies warbly low frequency pulses to skittering junglistloops, increasing the energy around the 3 minute mark with NON-like airraid sirens and noise textures. Stepping away from the dancefloor, thefinal two songs on this four track teaser EP shows off the duo'saffinity for dark dub and, for lack of a better word, illbient music.The head-nodding grooves of "Mecha" give the track a cinematic qualityand should appeal to fans of Techno Animal and other experimental urbanbeatmakers. Mothboy and The Dustmite's remix of "Mothra" crunches andgrinds as a slow pace, with the same Japanese movie samples taken downin tempo and heavily effected. It is both eerie and icy, winding downinto a cold dark ambience. I am guilty of playing this 21 minuterelease several times over the past month or so, and with their debutfull-length Fashion Victim due out on Ad Noiseam, I highly urgefans of Mick Harris, Justin Broderick, and Kevin Martin to grab this EPbefore it sells out.
Usuallly I find it challenging to discover releases from talentedartists among these piles of promotional and advance CDs. Often I'llspare a mediocre album (especially from a new artist) from the hostilewit often found in my reviews by simply leaving it be. So imagine mysurprise when I inserted Larvae's debut EP Monster Musicinto my stereo. Influenced by and sampling from Japanese monsterflicks, the opening track "Mothra" is a industrial-strength drum n bassbeast. Aggressive, dark, and catchy, it eventually morphs intodistorted hardcore techno that degrades into white hot sizzlingcacophony. Reminding of bass-fiend Mick Harris' Quoit project, as wellas his Shortcut To Connect album with Mick Harvey, "Ghidrah"liberally applies warbly low frequency pulses to skittering junglistloops, increasing the energy around the 3 minute mark with NON-like airraid sirens and noise textures. Stepping away from the dancefloor, thefinal two songs on this four track teaser EP shows off the duo'saffinity for dark dub and, for lack of a better word, illbient music.The head-nodding grooves of "Mecha" give the track a cinematic qualityand should appeal to fans of Techno Animal and other experimental urbanbeatmakers. Mothboy and The Dustmite's remix of "Mothra" crunches andgrinds as a slow pace, with the same Japanese movie samples taken downin tempo and heavily effected. It is both eerie and icy, winding downinto a cold dark ambience. I am guilty of playing this 21 minuterelease several times over the past month or so, and with their debutfull-length Fashion Victim due out on Ad Noiseam, I highly urgefans of Mick Harris, Justin Broderick, and Kevin Martin to grab this EPbefore it sells out.samples:
