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Liaisons Dangereuses
Hit Thing
TheLiaisons Dangereuses LP is something of a sought-after, hard-to-findgem, but only among a select group of retro-beat enthusiasts andpostpunk dance collectors, and certainly not the music community atlarge. This is not a very important or influential album in the grandscheme of things, mostly because of its near-total obscurity. LiasonsDangereuses is made up of Chris Haas, who played synths for post-punkindustrial innovators DAF, and Beate Bartel, the bassist for thepre-Malaria female punk trio Mania D. They named themselves after RogerVadim's sexy film adaptation of the seminal erotic novel of 18thcentury France. Their goal was to make darkly erotic electronic dancemusic that would be redolent of 18th century Paris, with its shadowyabsinthe bars, decadent dance clubs, and general attitude of sexualliberation. For the most part, they succeeded, and in the process theylaid down an early template for most of the industrial and [a-hem] EBMdance music that would follow throughout the 80's. The album opens with"Mystere dans le Brouillard" (transl: Mystery in the Fog), whichcombines a Joy Division bassline with a clanging beat, and gothiccabaret-styled vocals by Haas. The song is filled with processedwindchimes and shrill noises that evoke the creepy atmosphere of Parisafter dark. Things get a little more high energy with the minorunderground dance hit "Los Ninos del Parque" (Children of the Park),where a menacing Georgio Moroder beat shares space with Haas' barkedlyrics and Bartel's incoherent shrieks. The telltale heartbeat of"Aperitif de la Mort" ('Cocktail of Death') comes on like an absinthehallucination, with its creepy alien synths and atonal metal scrapings.This track is immediately reminiscent of Death in June's earlysynthesizer-based works. The only other track that really stands out is"Peut etre...Pas," an irresistably funky track that avoids the gothposturing of the rest of the album and find its way into avant-discoterritory. This is true Mutant Disco - an unholy marriage of LarryLevan, Arthur Russell and Cabaret Voltaire.
TheLiaisons Dangereuses LP is something of a sought-after, hard-to-findgem, but only among a select group of retro-beat enthusiasts andpostpunk dance collectors, and certainly not the music community atlarge. This is not a very important or influential album in the grandscheme of things, mostly because of its near-total obscurity. LiasonsDangereuses is made up of Chris Haas, who played synths for post-punkindustrial innovators DAF, and Beate Bartel, the bassist for thepre-Malaria female punk trio Mania D. They named themselves after RogerVadim's sexy film adaptation of the seminal erotic novel of 18thcentury France. Their goal was to make darkly erotic electronic dancemusic that would be redolent of 18th century Paris, with its shadowyabsinthe bars, decadent dance clubs, and general attitude of sexualliberation. For the most part, they succeeded, and in the process theylaid down an early template for most of the industrial and [a-hem] EBMdance music that would follow throughout the 80's. The album opens with"Mystere dans le Brouillard" (transl: Mystery in the Fog), whichcombines a Joy Division bassline with a clanging beat, and gothiccabaret-styled vocals by Haas. The song is filled with processedwindchimes and shrill noises that evoke the creepy atmosphere of Parisafter dark. Things get a little more high energy with the minorunderground dance hit "Los Ninos del Parque" (Children of the Park),where a menacing Georgio Moroder beat shares space with Haas' barkedlyrics and Bartel's incoherent shrieks. The telltale heartbeat of"Aperitif de la Mort" ('Cocktail of Death') comes on like an absinthehallucination, with its creepy alien synths and atonal metal scrapings.This track is immediately reminiscent of Death in June's earlysynthesizer-based works. The only other track that really stands out is"Peut etre...Pas," an irresistably funky track that avoids the gothposturing of the rest of the album and find its way into avant-discoterritory. This is true Mutant Disco - an unholy marriage of LarryLevan, Arthur Russell and Cabaret Voltaire.
