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Loren Chasse, "Hedge of Nerves"
Anomalous
Using vinyl as an anachronistic commentary on technology and culture is all too common these days, but on this release, Loren Chasse takes a far more low-level view of the medium. He explores the detail inherent in the surface noise of records—kind of an analog representation of the digital "glitch"—and also juxtaposes it with similar sounds found in nature, such as wind, leaves, fire, and surf. The first of four untitled tracks combines layers of quiet cracking and popping with some distant-sounding music that's probably also coming from the record. The vinyl noises, spread throughout the stereo field, are continuously changing, and though they're simple and commonplace sounds, their combination with the soothingly indistinct music is warm and hypnotizing. The second track is significantly more aggressive, with louder, more distorted surface noises mixed with the sounds of wind and the ocean. There's considerable detail throughout the piece, but at times it's covered by such a thick wall of noise that close attention becomes necessary. What's fascinating is that this storm of sound, that at first seemed to overwhelm and mask the piece, holds in itself a deep level of richness and complexity. The third track is more dynamic, starting with some electronic hissing and buzzing and a little bit of crackle fading in and out, along with more barely perceptible music. It ebbs and flows while building up, like the tide that it samples, until it finally grows into a tumultuous roar. The final track is my favorite, as it features the best arrangement of the quietly melodic music submerged under what sounds like sand falling and the buzzing of a few really scratched up records. In all, 'Hedge of Nerves' is an interesting album with some moments of great subtle beauty. Though it may not be the best record for casual listening, it isn't too "conceptual" to be entertaining. According to Anomalous, it was designed in part to be used to make "virtual scratchy records" by mixing it with other sources, and it definitely succeeds in that and more.
Using vinyl as an anachronistic commentary on technology and culture is all too common these days, but on this release, Loren Chasse takes a far more low-level view of the medium. He explores the detail inherent in the surface noise of records—kind of an analog representation of the digital "glitch"—and also juxtaposes it with similar sounds found in nature, such as wind, leaves, fire, and surf. The first of four untitled tracks combines layers of quiet cracking and popping with some distant-sounding music that's probably also coming from the record. The vinyl noises, spread throughout the stereo field, are continuously changing, and though they're simple and commonplace sounds, their combination with the soothingly indistinct music is warm and hypnotizing. The second track is significantly more aggressive, with louder, more distorted surface noises mixed with the sounds of wind and the ocean. There's considerable detail throughout the piece, but at times it's covered by such a thick wall of noise that close attention becomes necessary. What's fascinating is that this storm of sound, that at first seemed to overwhelm and mask the piece, holds in itself a deep level of richness and complexity. The third track is more dynamic, starting with some electronic hissing and buzzing and a little bit of crackle fading in and out, along with more barely perceptible music. It ebbs and flows while building up, like the tide that it samples, until it finally grows into a tumultuous roar. The final track is my favorite, as it features the best arrangement of the quietly melodic music submerged under what sounds like sand falling and the buzzing of a few really scratched up records. In all, 'Hedge of Nerves' is an interesting album with some moments of great subtle beauty. Though it may not be the best record for casual listening, it isn't too "conceptual" to be entertaining. According to Anomalous, it was designed in part to be used to make "virtual scratchy records" by mixing it with other sources, and it definitely succeeds in that and more.
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