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Manual/Icebreaker International, "Into Forever"
Morr/Sound of a Handshake
Resident Morr space cadets Manual (Jonas Munk) and IcebreakerInternational (Alexander Perls) have teamed up to produce this firstrelease for Morr Music's sub-label Sound of a Handshake. Thiscollaboration was hinted at last year on the Morr compilation/Slowdivetribute Blue Skied an' Clear,to which Manual and Icebreaker contributed this record's title piece.They expand the project to eight songs here which if you lied to me andtold me the songs were purely Manual solo works, I would readilybelieve you. Manual trades in atmospheric guitar works to which he addssubtle electronics and melodic undertones, while Icebreaker createsconcept albums which sound a slightly more abstract branch of the PianoMagic school. The opener, "The Countdown," features Manual's signaturewarbly guitar lines understated by a metronomic beat in the background.This song in particular peppers and prepares you for the whirling andswirling noises to be expected for the rest of the album. The titletrack, "Into Forever," has this wanky guitar part which harks back tosome lost remix of a Sting song from his adult contemporary days(perhaps circa "Ten Summoner's Tales" or "Soul Cages") and is reallythe only objectionable song on the album. Curiously, it was the songincluded on the Slowdive tribute, yet I have trouble seeing howSlowdive contributed to or inspired the song. Icebreaker makes itssound known slightly in "The Inner Rings," which begins with an echoingdin of an empty ship hull but rises to a more ecclesiastical or angelicdrone by the end. The highlight of the album has to be "A Turning" (isit a coincidence that all the song titles sound like Brian Enotitles?). The song is a persuasive combination of three chord pickedprogression, Manual's warbly guitar effects, and a haunting and ghostlyvocal wail which fills out the song's substance. "The Outer Rings" onceagain showcases Icebreaker's sound and makes you begin to think thatPerls is responsible soley for the ring cycle on this album, whereasmost of the other contributions are strictly Munk's. This is certainlytrue for "Beacon," which sounds as if it was lifted directly fromManual's "Ascend" album. I could try and tell you about the outer spaceinfinite music loop concept prepared (conceivably by Icebreaker) forthis album, but it's pure fantasy and adds nothing to the music itself.Better to enjoy these songs for their terrestrial charms.
Resident Morr space cadets Manual (Jonas Munk) and IcebreakerInternational (Alexander Perls) have teamed up to produce this firstrelease for Morr Music's sub-label Sound of a Handshake. Thiscollaboration was hinted at last year on the Morr compilation/Slowdivetribute Blue Skied an' Clear,to which Manual and Icebreaker contributed this record's title piece.They expand the project to eight songs here which if you lied to me andtold me the songs were purely Manual solo works, I would readilybelieve you. Manual trades in atmospheric guitar works to which he addssubtle electronics and melodic undertones, while Icebreaker createsconcept albums which sound a slightly more abstract branch of the PianoMagic school. The opener, "The Countdown," features Manual's signaturewarbly guitar lines understated by a metronomic beat in the background.This song in particular peppers and prepares you for the whirling andswirling noises to be expected for the rest of the album. The titletrack, "Into Forever," has this wanky guitar part which harks back tosome lost remix of a Sting song from his adult contemporary days(perhaps circa "Ten Summoner's Tales" or "Soul Cages") and is reallythe only objectionable song on the album. Curiously, it was the songincluded on the Slowdive tribute, yet I have trouble seeing howSlowdive contributed to or inspired the song. Icebreaker makes itssound known slightly in "The Inner Rings," which begins with an echoingdin of an empty ship hull but rises to a more ecclesiastical or angelicdrone by the end. The highlight of the album has to be "A Turning" (isit a coincidence that all the song titles sound like Brian Enotitles?). The song is a persuasive combination of three chord pickedprogression, Manual's warbly guitar effects, and a haunting and ghostlyvocal wail which fills out the song's substance. "The Outer Rings" onceagain showcases Icebreaker's sound and makes you begin to think thatPerls is responsible soley for the ring cycle on this album, whereasmost of the other contributions are strictly Munk's. This is certainlytrue for "Beacon," which sounds as if it was lifted directly fromManual's "Ascend" album. I could try and tell you about the outer spaceinfinite music loop concept prepared (conceivably by Icebreaker) forthis album, but it's pure fantasy and adds nothing to the music itself.Better to enjoy these songs for their terrestrial charms.samples:
