 |
|
Maquiladora, "What the Day Was Dreaming"
Darla
Maquiladora are the modern equivalent to The Band, recording slower,soulful rock music with an all-encompassing country influence. Theyswitch vocalists, vary between dense and sparse compositions, andthroughout each release, they plunge deeper and deeper headlong intoterritory that both soothes and expands the reaches of humanconsciousness. This music doesn't so much play through the speakers butswirl and mist out like a vaporous mist that the ears inhale. There areawkward moments like vocal stumbling and strained falsetto, but inlistening to the record as a whole they hardly matter. On Dreaming,they found quite a cast of characters to assist in their endeavors.From Blackheart Procession member Phil Jenkins, to a few of the AcidMothers Temple roster, the guests add interesting flourishes. With thecore members' strong songwriting, it makes for the most cohesive andexpansive record Maquiladora have mustered yet. "Sudden Life" opens therecord with an almost "Money for Nothing" approach: minimal sounds arejoined by tom drumming and, eventually, guitars and eerily treatedvocals. It's honestly enough to make me rise off the ground, soaringtowards the sky. As the album progresses, the lyrics paint a delicatepicture of loss, hope, and the world around us all. The trio of shamansthat are Maquiladora sound in tune with the elements, and it informsthe sounds their instruments and voices make. They describe themselvesas desert music, but on What the Day Was Dreaming, they provethat setting too barren for music as full of life as this. Dreams willbe haunted, and the day will be colored with shades of this music,making it a just little warmer and brighter.
Maquiladora are the modern equivalent to The Band, recording slower,soulful rock music with an all-encompassing country influence. Theyswitch vocalists, vary between dense and sparse compositions, andthroughout each release, they plunge deeper and deeper headlong intoterritory that both soothes and expands the reaches of humanconsciousness. This music doesn't so much play through the speakers butswirl and mist out like a vaporous mist that the ears inhale. There areawkward moments like vocal stumbling and strained falsetto, but inlistening to the record as a whole they hardly matter. On Dreaming,they found quite a cast of characters to assist in their endeavors.From Blackheart Procession member Phil Jenkins, to a few of the AcidMothers Temple roster, the guests add interesting flourishes. With thecore members' strong songwriting, it makes for the most cohesive andexpansive record Maquiladora have mustered yet. "Sudden Life" opens therecord with an almost "Money for Nothing" approach: minimal sounds arejoined by tom drumming and, eventually, guitars and eerily treatedvocals. It's honestly enough to make me rise off the ground, soaringtowards the sky. As the album progresses, the lyrics paint a delicatepicture of loss, hope, and the world around us all. The trio of shamansthat are Maquiladora sound in tune with the elements, and it informsthe sounds their instruments and voices make. They describe themselvesas desert music, but on What the Day Was Dreaming, they provethat setting too barren for music as full of life as this. Dreams willbe haunted, and the day will be colored with shades of this music,making it a just little warmer and brighter.
