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Merzbow/Kouhei Matsunaga split CD
Tigerbeat6
Merzbow's split release with Kouhei Matsunaga finds Masami Akita takingup a slightly more aggressive posture than on Amlux. Pensive piano on"Nakasendow" is repeatedly interrupted as the man in charge tears metalphone books in half with his bare hands, then decides to start blowingnew pockmarks into the moon with his laser cannon. The poor piano hasno choice but to turn into a dot matrix printer. "Earth Nazareth"mangles a death metal riff with phased drum beats into an oompah band.Screechy violin joins in at about repetition 2000, just as a washingmachine starts pumping through the wah wah pedal. The sub-bass swellsand drums of "Shadow Barbalian" find a staticky midpoint between therhythms of Tortoise and Brise Glace, with an abundance ofstrangled-tape samples popping up and getting punished. Very fun andquite catchy, if such can be said for Merzbow. A good counterpoint,Matsunaga's half of the disc spans many locations and elevations. Atriptych entitled "Garden of Earthly Delights," the sounds here take onan almost spiritual feel. From quiet studies of steam-powered robotinsects, to plodding machine bursts, to dramatic swelling drones andclipped sighs. Both pure sound and musical themes are explored andsuperimposed, and the three pieces work as one in an easily flowingseries of movements. Certain moments here could be compared to the workof Merzbow, Christoph Heemann, Tetsuo Furudate, and others. But it'sthe successful marriage of such diverse elements into a cohesive workthat makes it uniquely Matsunaga's. I will be keeping my eye out formore of this man's work in the future. A solid listen the whole waythrough, this disc will definitely enjoy more time in my stereo.
Merzbow's split release with Kouhei Matsunaga finds Masami Akita takingup a slightly more aggressive posture than on Amlux. Pensive piano on"Nakasendow" is repeatedly interrupted as the man in charge tears metalphone books in half with his bare hands, then decides to start blowingnew pockmarks into the moon with his laser cannon. The poor piano hasno choice but to turn into a dot matrix printer. "Earth Nazareth"mangles a death metal riff with phased drum beats into an oompah band.Screechy violin joins in at about repetition 2000, just as a washingmachine starts pumping through the wah wah pedal. The sub-bass swellsand drums of "Shadow Barbalian" find a staticky midpoint between therhythms of Tortoise and Brise Glace, with an abundance ofstrangled-tape samples popping up and getting punished. Very fun andquite catchy, if such can be said for Merzbow. A good counterpoint,Matsunaga's half of the disc spans many locations and elevations. Atriptych entitled "Garden of Earthly Delights," the sounds here take onan almost spiritual feel. From quiet studies of steam-powered robotinsects, to plodding machine bursts, to dramatic swelling drones andclipped sighs. Both pure sound and musical themes are explored andsuperimposed, and the three pieces work as one in an easily flowingseries of movements. Certain moments here could be compared to the workof Merzbow, Christoph Heemann, Tetsuo Furudate, and others. But it'sthe successful marriage of such diverse elements into a cohesive workthat makes it uniquely Matsunaga's. I will be keeping my eye out formore of this man's work in the future. A solid listen the whole waythrough, this disc will definitely enjoy more time in my stereo.
samples:
- Merzbow - Shadow Barbalian
- Kouhei Matsunaga - Garden of Earthly Delights
