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Microstoria, "Invisible Architecture #3"
Audiosphere
The music of Jan St. Werner and Markus Popp has always been, for me, aheartening, if predictable listen. While their separate activities likeOval and Mouse on Mars have seen considerable evolution over the years,St. Werner and Popp's collaborative project Microstoria has remained asomewhat static affair. Unfortunately, while previous installments inthe Invisible Architecture series joined several idiosyncratic artistsin collaboration or improvisation, this fifth volume features onlyMicrostoria, with no foreign body to alter their established sound.What's more, the music is a 2000 live performance containing only songsfrom the group's two latest albums, that year's Model 3, Step 2, and 1996's _snd.True, the seven songs here are some of Microstoria's best, and severalare extended far longer than their album versions, most notably adouble-length, eight-minute "Soso Sound." The lack, however, of any newmaterial, and the music's relatively strict adherence to albumprecedents, make this a mediocre release and unessential listening forprevious fans. New listeners, however, should find this disc a perfectintroduction to the work of two consistently fascinating music-makers.The live environment contributes to a looser sound with more roughedges showing, and highlights the aspect of Microstoria's music thathas always been the most appealing to my ears, the childlike abandonseen waning in the recent solo efforts of both St. Werner and Popp(excepting Popp's excellent So record). The latter's distortedrumblings and swift jump cuts have never been so wistfully assembled,coupling beautifully with St. Werner's meandering melodics, gathered aseffortlessly and organically from a guitar as from a PowerBook. Thelow-end has not been much a part of the duo's bag of tricks, but heredroning bass is surprisingly effective and often jarring, no doubtmeant to enliven the live experience but translating nicely to disc.That said, there is nothing too striking or really "new" about thisrecording, though it is anything but boring and certainly as beautifulas anything Microstoria has produced to date. Those hungry forsomething new might wait for the new full-length to be released soon.
The music of Jan St. Werner and Markus Popp has always been, for me, aheartening, if predictable listen. While their separate activities likeOval and Mouse on Mars have seen considerable evolution over the years,St. Werner and Popp's collaborative project Microstoria has remained asomewhat static affair. Unfortunately, while previous installments inthe Invisible Architecture series joined several idiosyncratic artistsin collaboration or improvisation, this fifth volume features onlyMicrostoria, with no foreign body to alter their established sound.What's more, the music is a 2000 live performance containing only songsfrom the group's two latest albums, that year's Model 3, Step 2, and 1996's _snd.True, the seven songs here are some of Microstoria's best, and severalare extended far longer than their album versions, most notably adouble-length, eight-minute "Soso Sound." The lack, however, of any newmaterial, and the music's relatively strict adherence to albumprecedents, make this a mediocre release and unessential listening forprevious fans. New listeners, however, should find this disc a perfectintroduction to the work of two consistently fascinating music-makers.The live environment contributes to a looser sound with more roughedges showing, and highlights the aspect of Microstoria's music thathas always been the most appealing to my ears, the childlike abandonseen waning in the recent solo efforts of both St. Werner and Popp(excepting Popp's excellent So record). The latter's distortedrumblings and swift jump cuts have never been so wistfully assembled,coupling beautifully with St. Werner's meandering melodics, gathered aseffortlessly and organically from a guitar as from a PowerBook. Thelow-end has not been much a part of the duo's bag of tricks, but heredroning bass is surprisingly effective and often jarring, no doubtmeant to enliven the live experience but translating nicely to disc.That said, there is nothing too striking or really "new" about thisrecording, though it is anything but boring and certainly as beautifulas anything Microstoria has produced to date. Those hungry forsomething new might wait for the new full-length to be released soon.
