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Motorpsycho + Jaga Jazzist Horns, "In the Fishtank"
Konkurrent
The tenth release in Konkurrent's In the Fishtank series sees the horn section of jazzy post-rockers Jaga Jazzist paired up with fellow Norwegians Motorpsycho. This Fishtankdiffers slightly from others past in that the bands had a significantlyinvolved relationship before the session was even proposed. Bandmembers have floated freely between the two acts, and both were set toplay a festival together in Holland at the time Konkurrentpropositioned them for collaboration. Such previous involvement,combined with an unprecedented amount of rehearsal time has resulted inthe first Fishtank with a fully integrated and time-craftedsound. The rough edges and obtuse proportions that made previouscollaborations sometimes fun, and more often forgettable, are missinghere. The Jaga horns lend a spacious fragility to Motorpsycho's burly,often blues-laden psych, but in a thoroughly accommodating fashion.True, the latter had been heading towards looser, kraut-ier pastures asof late, but with a horn section now on equal footing, Motorpsychofreely indulge in their Neu!-ish tendencies. Fears that anotherjazz-infected Fishtank might go the way of wankery (see therecent Sonic Youth + I.C.P + The Ex collaboration) can be dismissed, asnothing short of careful, studied fusion is achieved here. Fusion isthe only name for tracks like "Doffen Ah Um," with a groove seductiveenough to justify the title's Mingus reference. The bulk of this Fishtank,however, offers a less-boisterous blend with the most successful tracksserving as bookends on the disc. "Bombay Brassiere" and the 20-minutecloser "Tristano," showcase Motorpsycho's talent for dense, drivingpsych, made crystalline by a layering of horn and flute lines thatbring both tracks to dazzling crescendos, bursting with temperedimprovisation. Other portions of the disc are less appealing, such asthe stiff, white-boy funk put to a version of the Art Ensemble ofChicago classic "Theme de Yoyo." On "Pills, Powders and Passion Plays,"Motorpsycho's Bent Saether contributes his musty, damaged vocals, whichmay sound fine over that band's acid-headed rock, but make a PhilCollins tune of this slow jam.This disc has plenty of moments sure to please fans of both bands,though newcomers could do better with either of the Jaga Jazzist fulllengths on Ninja Tune.
The tenth release in Konkurrent's In the Fishtank series sees the horn section of jazzy post-rockers Jaga Jazzist paired up with fellow Norwegians Motorpsycho. This Fishtankdiffers slightly from others past in that the bands had a significantlyinvolved relationship before the session was even proposed. Bandmembers have floated freely between the two acts, and both were set toplay a festival together in Holland at the time Konkurrentpropositioned them for collaboration. Such previous involvement,combined with an unprecedented amount of rehearsal time has resulted inthe first Fishtank with a fully integrated and time-craftedsound. The rough edges and obtuse proportions that made previouscollaborations sometimes fun, and more often forgettable, are missinghere. The Jaga horns lend a spacious fragility to Motorpsycho's burly,often blues-laden psych, but in a thoroughly accommodating fashion.True, the latter had been heading towards looser, kraut-ier pastures asof late, but with a horn section now on equal footing, Motorpsychofreely indulge in their Neu!-ish tendencies. Fears that anotherjazz-infected Fishtank might go the way of wankery (see therecent Sonic Youth + I.C.P + The Ex collaboration) can be dismissed, asnothing short of careful, studied fusion is achieved here. Fusion isthe only name for tracks like "Doffen Ah Um," with a groove seductiveenough to justify the title's Mingus reference. The bulk of this Fishtank,however, offers a less-boisterous blend with the most successful tracksserving as bookends on the disc. "Bombay Brassiere" and the 20-minutecloser "Tristano," showcase Motorpsycho's talent for dense, drivingpsych, made crystalline by a layering of horn and flute lines thatbring both tracks to dazzling crescendos, bursting with temperedimprovisation. Other portions of the disc are less appealing, such asthe stiff, white-boy funk put to a version of the Art Ensemble ofChicago classic "Theme de Yoyo." On "Pills, Powders and Passion Plays,"Motorpsycho's Bent Saether contributes his musty, damaged vocals, whichmay sound fine over that band's acid-headed rock, but make a PhilCollins tune of this slow jam.This disc has plenty of moments sure to please fans of both bands,though newcomers could do better with either of the Jaga Jazzist fulllengths on Ninja Tune.samples:
