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Mountaineers, "Messy Century"
Mute
For me, the name Mountaineers conjures up images of a rustic tradition,as well as adventurousness and innovation on the frontier. On Messy Century,the band does position itself on a frontier, or boundary, and straddlesthe line, taking liberally from both sides. Their synthesis is acompelling one, exciting and reassuring. Their compositions give theimpression that there are dozens of styles, influences, and ideas eachfighting for center stage. This competition is ever present, as sampledbeats and electronic manipulation ebb and flow over light, bouncystrumming and sing-a-long vocals. The end result is not confused orunfocused, however. Mountaineers have a keen sense of when their nickedpercussion should hit, or whether their synthesizer lines should holdback or rise to a dizzying climax. With all the modernized electronicflourishes floating around, it is important to realize that the core ofthese songs is a humble acoustic folk sensibility that is delightfullyhook filled. When the band puts the emphasis on this aspect of theirsound, as on "I Gotta Sing," they do not suffer from any supposed lossof novelty. The song's bright vocals and memorable lyrics erupt in ajovial, smiling chorus. "UK Theatre" even brings a snappy whistle intothe mix of handclaps and pots and pans drumming, adding to the feelingthat this is a recording of some exuberant living room free for all. Onthe other end of the spectrum, there are tracks that revel in theirprocessed instrumentation and computerized blips. "Bom Bom" is repletewith punchy cascades of melody and blurry, obscured vocals. Though itseems light years away from the more straightforward songs on the disc,the start stop rhythms and attention to song craft refuse to allow thissong to become an exercise in murkiness or aimless experimentation.Mountaineers manage to make the otherwise sterile and slick sound cozy."Apart From This," another track that relies on electronics (though notas drastically as "Bom Bom,") is imbued with a warmth that emanatesfrom the heart of the song. It has a swagger and a swing to it. Thefinal track, "Silent Dues," is a subdued, elegiac piece that driftsalong with an introspective tenor. All throughout this disc, the bandproves themselves an extremely versatile outfit, able to incorporateany number of differing thoughts and sounds into a pleasing pastiche.
For me, the name Mountaineers conjures up images of a rustic tradition,as well as adventurousness and innovation on the frontier. On Messy Century,the band does position itself on a frontier, or boundary, and straddlesthe line, taking liberally from both sides. Their synthesis is acompelling one, exciting and reassuring. Their compositions give theimpression that there are dozens of styles, influences, and ideas eachfighting for center stage. This competition is ever present, as sampledbeats and electronic manipulation ebb and flow over light, bouncystrumming and sing-a-long vocals. The end result is not confused orunfocused, however. Mountaineers have a keen sense of when their nickedpercussion should hit, or whether their synthesizer lines should holdback or rise to a dizzying climax. With all the modernized electronicflourishes floating around, it is important to realize that the core ofthese songs is a humble acoustic folk sensibility that is delightfullyhook filled. When the band puts the emphasis on this aspect of theirsound, as on "I Gotta Sing," they do not suffer from any supposed lossof novelty. The song's bright vocals and memorable lyrics erupt in ajovial, smiling chorus. "UK Theatre" even brings a snappy whistle intothe mix of handclaps and pots and pans drumming, adding to the feelingthat this is a recording of some exuberant living room free for all. Onthe other end of the spectrum, there are tracks that revel in theirprocessed instrumentation and computerized blips. "Bom Bom" is repletewith punchy cascades of melody and blurry, obscured vocals. Though itseems light years away from the more straightforward songs on the disc,the start stop rhythms and attention to song craft refuse to allow thissong to become an exercise in murkiness or aimless experimentation.Mountaineers manage to make the otherwise sterile and slick sound cozy."Apart From This," another track that relies on electronics (though notas drastically as "Bom Bom,") is imbued with a warmth that emanatesfrom the heart of the song. It has a swagger and a swing to it. Thefinal track, "Silent Dues," is a subdued, elegiac piece that driftsalong with an introspective tenor. All throughout this disc, the bandproves themselves an extremely versatile outfit, able to incorporateany number of differing thoughts and sounds into a pleasing pastiche.samples:
