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Murcof, "Utopia"
Leaf
This gap-filler disc from Murcof is Leaf's way to buy time and keep thename fresh before the release of the next proper Murcof album, but it'sno less inspired, all the same. Beginning with a 10 minute epic of filmscore orchestration and minimal techno thump, Utopiaestablishes early on that Murcof is dealing with a larger scope and amore developed tone than many of his contemporaries. Jan Jelenik'sclicky, jazz-spliced remix of "Maiz" is the perfect groovy counterpointto the album's creeping, moody opener. Sutekh gives "Memoria" a tweakedtechno workout with plenty of glitches and squiggles that pop out overthe monotone bassline and piano chord. "Utano" blends dark cello andbrass timbres with twinkling electronic percussion for a while, thendrops out the techno trappings for a more experimental approach to thecinematic loops and swells that other artists tend to leave in thebackground. It's refreshing for someone working with beats not to makethe beats the primary focus for a change, and Murcof is able to bendand arrange sounds with a composer's rather than dj's ear. Theremaining remixes are mostly placid and unremarkable; not an affront tothe source material but certainly not as clever as they'd like to be oras necessary. "Una," the second to last of the un-remixed tracks takessymphonic and operatic fragments and glues them to a stutteringdsp-laden beat that is just short of club-friendly, but not sooverblown as to draw unneccessary attention to itself. The "ColleenMix" of "Muim" could easily figure in a Chris Nolen film as its allbackwards pianos and heavy string passages that conjure up the grimynoir of "Memento" and the slick isolation of "Insomnia" equally. Theremixes are all solid, sometimes taking an ambient detour that'swelcome amidst the electrobeats, but Murcof's originals clearly standout as the best tracks here. If nothing else, Utopia performs its role by making a case for watching for the forthcoming album and possibly for picking up the back catalog.
This gap-filler disc from Murcof is Leaf's way to buy time and keep thename fresh before the release of the next proper Murcof album, but it'sno less inspired, all the same. Beginning with a 10 minute epic of filmscore orchestration and minimal techno thump, Utopiaestablishes early on that Murcof is dealing with a larger scope and amore developed tone than many of his contemporaries. Jan Jelenik'sclicky, jazz-spliced remix of "Maiz" is the perfect groovy counterpointto the album's creeping, moody opener. Sutekh gives "Memoria" a tweakedtechno workout with plenty of glitches and squiggles that pop out overthe monotone bassline and piano chord. "Utano" blends dark cello andbrass timbres with twinkling electronic percussion for a while, thendrops out the techno trappings for a more experimental approach to thecinematic loops and swells that other artists tend to leave in thebackground. It's refreshing for someone working with beats not to makethe beats the primary focus for a change, and Murcof is able to bendand arrange sounds with a composer's rather than dj's ear. Theremaining remixes are mostly placid and unremarkable; not an affront tothe source material but certainly not as clever as they'd like to be oras necessary. "Una," the second to last of the un-remixed tracks takessymphonic and operatic fragments and glues them to a stutteringdsp-laden beat that is just short of club-friendly, but not sooverblown as to draw unneccessary attention to itself. The "ColleenMix" of "Muim" could easily figure in a Chris Nolen film as its allbackwards pianos and heavy string passages that conjure up the grimynoir of "Memento" and the slick isolation of "Insomnia" equally. Theremixes are all solid, sometimes taking an ambient detour that'swelcome amidst the electrobeats, but Murcof's originals clearly standout as the best tracks here. If nothing else, Utopia performs its role by making a case for watching for the forthcoming album and possibly for picking up the back catalog.
