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Novi_Sad, "Misguided Heart Pulses, A Hammer, She, and the Clock"
I wasn't sure what to expect upon receiving this disc. The stark, digitally treated artwork that adorns the heavy, textured sleeve has little in the way of credits or information, and no specific background on the artist, which is, I'm sure, his intent. A bit of the Google finds that it is the debut release of Greek artist Thanasis Kaproulias, and none of this is needed to enjoy the disc, which lays comfortably between the rough experimentations of proto-industrialists like Throbbing Gristle and the modern day esoteric work of Francisco Lopez and Asmus Tietchens.
Because of the sparse documentation, it is hard to make assumptions as to what exactly is going on here, but on the surface it feels like a good amount of digitally generated content with heavily treated acoustic sounds as well. The quiet crackling that opens "Everything Looks Better Beside Water" could be fire, it could be paper, or it could be entirely modeled via software for all I know. The rushing water sounds feel much more organic though, and conversely the deep electronic pulsing sounds purely digital. Bizarre rhythmic elements appear in moderation at the end of both this track and the ending "Crawling on the Pavements of Your Skull" that are obviously percussive and rhythmic, but have a color that is entirely unique, resembling a beatbox made from bones and animal hides.
There are clear elements of pure noise as well: the high frequency infrasonic tones that open and conclude "Oh You Sweet and Spontaneous Earth…You Answered Them Only With Spring" will certainly grate on less dedicated listeners, as will the white noise and overdriven thuds that appear on occasion in the aforementioned "Crawling" track. While dissonant, it never becomes overwhelmingly oppressive or does it compromise the nuances of the more restrained elements in the mix. "Oh You Sweet.." features a complex mishmash of tones that manages to both seem completely chaotic, yet retain a structured, almost melodic vibe as well.
One of the most jarring elements comes in at the midpoint of "Crawling…," which features an untreated dialog extract of Liv Ullman from Bergman's The Passion of Anna. As it demarks the midpoint of the track, it is an oddly familiar element to a work that is so heavily focused on sounds that are unrecognizable and alien. Yet it doesn't detract at all from the work, it instead functions as an oddly comfortable signpost in an alien world of sound.
As a debut, Novi_sed has already created a quality work that wouldn't be out of the place in the catalog of a Marc Beherens or Francisco Lopez, and would seem to be the beginnings of an artist to watch. It's definitely worth tracking down, and I hope the obscurity of this work doesn't cause it to be lost in the shuffle.
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