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Numbers, "Death"
Tigerbeat6
Tigerbeat6's website describes Deathas a remix album "by people who love Numbers, for people who loveNumbers," and it's an apt statement. Though you don't have to befamiliar with Numbers Life to enjoy these remixes, itdefinitely helps. Most of the remixes find Numbers' raw energychanneled onto the dancefloor, and why shouldn't they? After all, thehistory of the remix is rooted in the 12" single. Most remixers havefun with their interpretations of the songs, and it makes sense thatthey would—Numbers is a fun band. Gold Chains opens Death witha much-expected cheeky, clubby, self-referencing take on "Prison Life,"complete with a skit and a '77-style punk outro; Dymaxion'ssample-heavy "What is the Product?" is well-constructed and, though itbarely avoids being overly-quirky with its Speak'n'Spell samples, fitswell within the Numbers aesthetic. Kid 606's obligatory remix (of "WeLike Having These Things") is undeniably (and uncharachteristically?)catchy with a melodic pulsing bassline, and the Numan-esque synth soloat the end is really quite pretty. GD Luxxe's "Get Away Mix" of "PrisonLife" comes closest to the perfect remix in the traditional sense ofthe term. He keeps the basic feel of the song intact, reproducing theoriginal bassline and sampling Numbers' vocals, while adding verses ofhis own. The end result is a remix that stays true to the sourcematerial, while at the same time becoming a definitive GD Luxxe track.Caro and Kit Clayton also add their own lyrics to their interpretationsof "Intercom," and "Information," respectively, but it's GD Luxxe'strack that works best in this respect. The most notable divergence fromthe four-on-the-floor is Stars As Eyes, who buck the trend byconverting "I'm Shy" (retitled "I Have a Headache This Big") into adark post-rock anthem, propelled by a one-note guitar line a la theSupremes' "Keep Me Hanging On." Credit should also be given to Stars AsEyes for being one of the only remixers to utilize Indra Duris' drumsounds, instead of replacing them with a quantized drum machine beat.As with any remix album, there are some less-than-stellar tracks, butthey're in the minorit. (If I'm forced to name names: Dwayne Sodahberk,DAT Politics, and Uprock.) Most likely the reason that Deathworks better than most remix albums is because Numbers' source materialis open-ended enough to allow a myriad of remixing possibilities, mostof which are just damned catchy.
Tigerbeat6's website describes Deathas a remix album "by people who love Numbers, for people who loveNumbers," and it's an apt statement. Though you don't have to befamiliar with Numbers Life to enjoy these remixes, itdefinitely helps. Most of the remixes find Numbers' raw energychanneled onto the dancefloor, and why shouldn't they? After all, thehistory of the remix is rooted in the 12" single. Most remixers havefun with their interpretations of the songs, and it makes sense thatthey would—Numbers is a fun band. Gold Chains opens Death witha much-expected cheeky, clubby, self-referencing take on "Prison Life,"complete with a skit and a '77-style punk outro; Dymaxion'ssample-heavy "What is the Product?" is well-constructed and, though itbarely avoids being overly-quirky with its Speak'n'Spell samples, fitswell within the Numbers aesthetic. Kid 606's obligatory remix (of "WeLike Having These Things") is undeniably (and uncharachteristically?)catchy with a melodic pulsing bassline, and the Numan-esque synth soloat the end is really quite pretty. GD Luxxe's "Get Away Mix" of "PrisonLife" comes closest to the perfect remix in the traditional sense ofthe term. He keeps the basic feel of the song intact, reproducing theoriginal bassline and sampling Numbers' vocals, while adding verses ofhis own. The end result is a remix that stays true to the sourcematerial, while at the same time becoming a definitive GD Luxxe track.Caro and Kit Clayton also add their own lyrics to their interpretationsof "Intercom," and "Information," respectively, but it's GD Luxxe'strack that works best in this respect. The most notable divergence fromthe four-on-the-floor is Stars As Eyes, who buck the trend byconverting "I'm Shy" (retitled "I Have a Headache This Big") into adark post-rock anthem, propelled by a one-note guitar line a la theSupremes' "Keep Me Hanging On." Credit should also be given to Stars AsEyes for being one of the only remixers to utilize Indra Duris' drumsounds, instead of replacing them with a quantized drum machine beat.As with any remix album, there are some less-than-stellar tracks, butthey're in the minorit. (If I'm forced to name names: Dwayne Sodahberk,DAT Politics, and Uprock.) Most likely the reason that Deathworks better than most remix albums is because Numbers' source materialis open-ended enough to allow a myriad of remixing possibilities, mostof which are just damned catchy.- GD Luxxe - Prison Life (Get Away mix)
- Stars As Eyes - I Have a Headache This Big
- Dymaxion - What is the Product?
