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Nurse With Wound, "The Memory Surface"
This mail order only edition of Steven Stapleton and Andrew Liles’ The Surveillance Lounge is superb. In addition, there are two extra CDs of drastically different versions of the album. Creaking and groaning their way across an audio backdrop that brings to mind the boggling landscapes of Yves Tanguy, the three discs cover the same unnerving mental states as classic Nurse With Wound albums like Homotopy to Marie and Insect and Individual Silenced. It is the first Nurse release since Salt Marie Celeste that has spooked me in any significant way and it is a welcome return to weirder moods after the lighter side of Nurse With Wound that has been explored with their recent live and studio output.
With a title like The Surveillance Lounge, this might suggest that the (un)easy listening style employed on Huffin’ Rag Blues has persisted but that is not the case. When elements of easy listening music do appear, it throws a sinister normality amidst the even more sinister strangeness. On "Yon Assassin is my Equal," the introducion of a relatively inoffensive lounge rhythm puts me on edge; Stapleton and Liles combine the annoyance of being stuck in a waiting room with an existentialist anxiety. Claustrophobic and paranoid, the music and incidental sounds haunt the listener, creating the sweaty discomfort of a bad dream. The nightmare continues with “The Golden Age of Telekinesis” where there is a fabulous, violent midsection featuring a demonic auctioneer that suddenly cracks open into a quiet, disorientating abyss.
Elsewhere, disembodied voices speak in French and German, bringing to mind the regrettably underexplored Echo Poème Sequence releases. In these moments, the unearthly beauty of Stapleton's audio surrealism come to the fore. Yet no matter how wonderful parts of The Surveillance Lounge get, the dripping dread is never far away. Stapleton and Liles conjure up an surreality where the sublime is dangerous and the benign is unfamiliar and threatening. The whole experience recaptures that early obsession with Le Comte de Lautréamont’s Maldoror and the darker moments of that novel are mirrored in the viscous quicksilver of “Close to You.”
The other two discs in The Memory Surface are dedicated to earlier versions of The Surveillance Lounge. The album started off as a soundtrack to F.W. Murnau’s Der Brennende Acker before evolving into the album described above. The soundtrack version of the album is a different beast altogether, the vast majority of the music bathed in vinyl surface noise like a fog obscuring a landscape. The effect is reminiscent of Philip Jeck’s work, crusty old records being given a new life in an unintended way. It is impossible to tell how much (if any) of the material is vinyl-sourced but the alien nature of the sounds suggests that whatever sources were utilised have been completely shorn of their original contexts. Elements are recognizable from The Surveillance Lounge but there is a large difference between it and the music created for Murnau’s film.
Also included are early mixes of “The Golden Age of Telekinesis” and “Yon Assassin is my Equal,” which are familiar sounding but still a far cry from the finished versions. They are different enough to warrant their inclusion but overall they lack the intensity of the The Surveillance Lounge versions and the atmospheric allure of the older Murnau soundtrack versions. However, from a phylogenetic standpoint they allow a glimpse into the fossil record (as it were) and provide the missing link between the soundtrack and the album.
The Memory Surface is well worth buying over the standard version of the album. While a lot of Nurse With Wound special editions are aimed at the hardcore fan, this is one instance where the special edition trumps the standard version hands down. What Second Pirate Session did for Rock’n Roll Station, The Memory Surface does for The Surveillance Lounge.
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