 |
|
PEOPLE LIKE US, "THERMOS EXPLORER"
No really, she's laughing with you... With all the sneaky charm of a carcommercial that leaves you inexplicably in tears, this latest romp from PeopleLike Us serves up the emotional complexity of, say, the complete works ofProust, crammed into bite-sized snacks for the easily distracted.
In some senseVicki Bennett's work could be seen as companion volumes to Neil Postman'sincisive mid-eighties critique "Amusing Ourselves to Death: Public Discourse inthe Age of Show Business". Her assemblages of found samples and oddballartifacts, punctuated by peculiarly catchy little synthpop interludes, arepopulated with all the random and irrelevant crap with which most of us arebombarded daily, skillfully crafted into preposterously pointless exchanges andeasy-listening jingles which slyly undermine the intention and substance oftheir original forms. Bennett has an uncanny ability to transform the trivial,ephemeral, boring and banal into deliciously naughty indictments of ourmedia-saturated culture. In this her work is not unique; artists likeNegativeland explore similar territory, and it could even be said that mockeryand pastiche, as hallmarks of the post-modern, have become something of a staplegesture. What is truly singular and surprising about her work, given itspenchant for deconstruction, is simply its overwhelming gentleness towards itssubjects. Never smugly clever or bitter, Bennett's real human warmth manifestsin the strangest places, moving what would otherwise be searing sarcasm towardsa genuinely fun and good-natured laugh at ourselves. Ultimately it is herkindness that gives her work both its distinctiveness and its effectiveness:while her commerical Muzak jingles at times lead you to believe you are beinglulled into a bludgeoning, her manipulations and surreal juxtapositions arenever cruel, offering instead an uplifting glimpse into the possibilities ofmeaningful communication within (or despite) a sea of chitchat, of real emotioninside the sentimental, and ultimately of an ennobling critical method which isengaged, insightful and diabolically effective without being condescending oroverly self-confident. "Thermos Explorer", her ninth solo album, is my favoritePLU to date. Each listening finds me singing along and grinning like an idiot.Why is listening to this so much fun? It's like having a sleepover with yourhilarious best friend, where everything they say makes you giggle-behind all themusic is the irresistably sweet Vicki Bennett, and you just can't help but likeher.
In some senseVicki Bennett's work could be seen as companion volumes to Neil Postman'sincisive mid-eighties critique "Amusing Ourselves to Death: Public Discourse inthe Age of Show Business". Her assemblages of found samples and oddballartifacts, punctuated by peculiarly catchy little synthpop interludes, arepopulated with all the random and irrelevant crap with which most of us arebombarded daily, skillfully crafted into preposterously pointless exchanges andeasy-listening jingles which slyly undermine the intention and substance oftheir original forms. Bennett has an uncanny ability to transform the trivial,ephemeral, boring and banal into deliciously naughty indictments of ourmedia-saturated culture. In this her work is not unique; artists likeNegativeland explore similar territory, and it could even be said that mockeryand pastiche, as hallmarks of the post-modern, have become something of a staplegesture. What is truly singular and surprising about her work, given itspenchant for deconstruction, is simply its overwhelming gentleness towards itssubjects. Never smugly clever or bitter, Bennett's real human warmth manifestsin the strangest places, moving what would otherwise be searing sarcasm towardsa genuinely fun and good-natured laugh at ourselves. Ultimately it is herkindness that gives her work both its distinctiveness and its effectiveness:while her commerical Muzak jingles at times lead you to believe you are beinglulled into a bludgeoning, her manipulations and surreal juxtapositions arenever cruel, offering instead an uplifting glimpse into the possibilities ofmeaningful communication within (or despite) a sea of chitchat, of real emotioninside the sentimental, and ultimately of an ennobling critical method which isengaged, insightful and diabolically effective without being condescending oroverly self-confident. "Thermos Explorer", her ninth solo album, is my favoritePLU to date. Each listening finds me singing along and grinning like an idiot.Why is listening to this so much fun? It's like having a sleepover with yourhilarious best friend, where everything they say makes you giggle-behind all themusic is the irresistably sweet Vicki Bennett, and you just can't help but likeher.
