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Portal/Yellow6, "Split"
Make Mine Music
Scott Sinfield and Jon Attwood (or Portal and Yellow6) met when Attwooddonated guitar for a track on Portal's debut album. Shortly thereafter,the pair began making music together on a limited basis. They sharedthe stage on tour, backing each other for their respective projects,and for a series of split EPs in 2000, they covered each other's songs.Finally, on the debut release from their own label, Make Mine Music,the two properly collaborate. Both Portal and Yellow6 get two tracks apiece on this split, as well as the four tracks they perform together,and in this case the whole truly is greater than the sum of its parts.I'll go as far as to say the two gentlemen should start a new bandtogether, bring vocalist Rachel Hughes along for the ride, and leavetheir separate discographies in the dust. Portal starts off the releasewith a cold air, a temperature setting that remains for half therelease. Hughes, who has worked with Sinfield since his debut, soundsdetached and aloof, as she sings about her misconceptions and seeminglyundying hope. Then, on "The First Breath of Winter," the chill settlesin, as breath turns to mist, and the programmed beat, keyboards, andechoed guitar emit languish in their confines. The track threatens togo somewhere, but ultimately stays static, yet again reinforcing adetachment and brushing off. Yellow6 seems to take this frozen energyat face value, presenting "Threefold," a track that starts with simpleguitar structures and a minimalist beat. None of this should beperceived as negative: the song is still enough to make the heartpatter, albeit at a slower pace. At about the three minute mark,though, Yellow6 returns to form, opening the door for virulentdistortion that spills everywhere. This is not warmth that lasts,however, as the track ends on the same cold note on which it began."The Sinking Sun" is also appropriately titled, as though the lunarteam is stuck, and they watch the daylight fade, unable to stop it orsave themselves. Even in the clutches of such a cold death, the moonseems to shift its rotation on the next track, the first of thecontributions to feature both artists. Suddenly, there is hope,possibility, life, and a hint of meaning to all of existence. It's thatpowerful, that moving, and it lasts for nigh on twenty-four minutes.Sometimes, the cold fights to return, such as on "#5," but it isn'tstrong enough to cause the ice age it threatens. The fire stays, evenbuilds somewhat glacially on "#3;" and although both Sinfield andAttwood shouldn't quit their day jobs, they should make a record likethis together and share more of this ambient wonder with the world.Make Mine Music also shows potential as a quite progressive label, withPortal, Yellow6, and Epic 45 full-lengths already released orforthcoming.
Scott Sinfield and Jon Attwood (or Portal and Yellow6) met when Attwooddonated guitar for a track on Portal's debut album. Shortly thereafter,the pair began making music together on a limited basis. They sharedthe stage on tour, backing each other for their respective projects,and for a series of split EPs in 2000, they covered each other's songs.Finally, on the debut release from their own label, Make Mine Music,the two properly collaborate. Both Portal and Yellow6 get two tracks apiece on this split, as well as the four tracks they perform together,and in this case the whole truly is greater than the sum of its parts.I'll go as far as to say the two gentlemen should start a new bandtogether, bring vocalist Rachel Hughes along for the ride, and leavetheir separate discographies in the dust. Portal starts off the releasewith a cold air, a temperature setting that remains for half therelease. Hughes, who has worked with Sinfield since his debut, soundsdetached and aloof, as she sings about her misconceptions and seeminglyundying hope. Then, on "The First Breath of Winter," the chill settlesin, as breath turns to mist, and the programmed beat, keyboards, andechoed guitar emit languish in their confines. The track threatens togo somewhere, but ultimately stays static, yet again reinforcing adetachment and brushing off. Yellow6 seems to take this frozen energyat face value, presenting "Threefold," a track that starts with simpleguitar structures and a minimalist beat. None of this should beperceived as negative: the song is still enough to make the heartpatter, albeit at a slower pace. At about the three minute mark,though, Yellow6 returns to form, opening the door for virulentdistortion that spills everywhere. This is not warmth that lasts,however, as the track ends on the same cold note on which it began."The Sinking Sun" is also appropriately titled, as though the lunarteam is stuck, and they watch the daylight fade, unable to stop it orsave themselves. Even in the clutches of such a cold death, the moonseems to shift its rotation on the next track, the first of thecontributions to feature both artists. Suddenly, there is hope,possibility, life, and a hint of meaning to all of existence. It's thatpowerful, that moving, and it lasts for nigh on twenty-four minutes.Sometimes, the cold fights to return, such as on "#5," but it isn'tstrong enough to cause the ice age it threatens. The fire stays, evenbuilds somewhat glacially on "#3;" and although both Sinfield andAttwood shouldn't quit their day jobs, they should make a record likethis together and share more of this ambient wonder with the world.Make Mine Music also shows potential as a quite progressive label, withPortal, Yellow6, and Epic 45 full-lengths already released orforthcoming.- Portal - Hold
- Yellow6 - The Sinking Sun
- Sinfield/Attwood - #2
