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"DOWN IN A MIRROR: A SECOND TRIBUTE TO JANDEK"
A few years ago, Summersteps Records released Naked in the Afternoon, which was billed as a tribute to Jandek, but was really just a collection of other artists covering his songs. It must have seemed like a pretty funny idea at the time, and for Summersteps, it was an opportunity to showcase their mostly unknown roster of artists. Cassie Rose and the Pickled Punks, anyone?
Summersteps
How about Psychatrone Rhonedakk? A trio of contributions from well-known artists Low, Bright Eyes and Thurston Moore kept the record from being completely obscure, even though it was largely pointless and also somewhat tasteless. It must have worked out for Summersteps, however, as they have recently released a follow-up entitled Down in a Mirror, the title again drawn from Jandek's back catalog of mysterious song titles. This time around, Summersteps were able to recruit a few more big names—Jeff Tweedy, Six Organs of Admittance, The Mountain Goats and Kawabata Makoto, among others, to tackle their favorite Janky song. As critical and popular assessment of Jandek moves away from the "weirdo banging on untuned guitar" school of thought, into more well-considered and less hyperbolic territories, so too Jandek cover versions seem to become increasingly saner. For the most part, the artists on Down in a Mirror attempt to locate the songwriter that lies at the heart of the Corwood enigma, peeling away layers of muddy reverb and tape noise, simplifying and streamlining the often shambolic guitar work, to reveal the pop songs at the heart of Jandek's best songs. Sometimes this approach works, as in Okkervil River's version of the relentlessly miserable "Your Other Man" (from Blue Corpse), which turns the song into a chillingly effective alt-country excursion, singer Will Sheff retaining just enough of Jandek's haunted meander to remind me of the source. Six Organs of Admittance's Ben Chasny is well suited to cover "I'll Sit Alone and Think a Lot About You," his beautiful acoustic fingerstyle lending an emotional purity that remains true to the original. Much less successful are retarded retreads of Jandek novelties like "You Painted Your Teeth" and "European Jewel," which seem to have been performed and recorded mostly as a gag. AMT's Kawabata Makoto turns "Babe I Love You" (the rare instance of a poppy Jandek song) into a low-fidelity backwards Jajouka drone, which is interesting but utterly off-topic. Wilco's Jeff Tweedy and The Mountain Goats show more respect to the source material, but their contributions are unremarkable apart from their competence. Lewis & Clarke successfully remove almost everything from "Nancy Sings" that made the original so haunting and lovely, and other artists barely even register enough to talk about them. On the whole, Down in a Mirror is plagued with the same problems that most tribute albums suffer from; a dearth of ideas, and tepid interpretations that just make me want to dig out the originals and listen to them instead.
Summersteps
How about Psychatrone Rhonedakk? A trio of contributions from well-known artists Low, Bright Eyes and Thurston Moore kept the record from being completely obscure, even though it was largely pointless and also somewhat tasteless. It must have worked out for Summersteps, however, as they have recently released a follow-up entitled Down in a Mirror, the title again drawn from Jandek's back catalog of mysterious song titles. This time around, Summersteps were able to recruit a few more big names—Jeff Tweedy, Six Organs of Admittance, The Mountain Goats and Kawabata Makoto, among others, to tackle their favorite Janky song. As critical and popular assessment of Jandek moves away from the "weirdo banging on untuned guitar" school of thought, into more well-considered and less hyperbolic territories, so too Jandek cover versions seem to become increasingly saner. For the most part, the artists on Down in a Mirror attempt to locate the songwriter that lies at the heart of the Corwood enigma, peeling away layers of muddy reverb and tape noise, simplifying and streamlining the often shambolic guitar work, to reveal the pop songs at the heart of Jandek's best songs. Sometimes this approach works, as in Okkervil River's version of the relentlessly miserable "Your Other Man" (from Blue Corpse), which turns the song into a chillingly effective alt-country excursion, singer Will Sheff retaining just enough of Jandek's haunted meander to remind me of the source. Six Organs of Admittance's Ben Chasny is well suited to cover "I'll Sit Alone and Think a Lot About You," his beautiful acoustic fingerstyle lending an emotional purity that remains true to the original. Much less successful are retarded retreads of Jandek novelties like "You Painted Your Teeth" and "European Jewel," which seem to have been performed and recorded mostly as a gag. AMT's Kawabata Makoto turns "Babe I Love You" (the rare instance of a poppy Jandek song) into a low-fidelity backwards Jajouka drone, which is interesting but utterly off-topic. Wilco's Jeff Tweedy and The Mountain Goats show more respect to the source material, but their contributions are unremarkable apart from their competence. Lewis & Clarke successfully remove almost everything from "Nancy Sings" that made the original so haunting and lovely, and other artists barely even register enough to talk about them. On the whole, Down in a Mirror is plagued with the same problems that most tribute albums suffer from; a dearth of ideas, and tepid interpretations that just make me want to dig out the originals and listen to them instead. samples:
