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"The Best Bootlegs in the World Ever"
No Label
Let's pretend that the copyright infringement/artists' rights debateabout these bootlegs doesn't exist here; we all have our opinions onthat issue, so let's get past it and talk about whether or not thesemixes are any good. The general theme of this mash-up mix is thepairing of an a capella hip-hop/r&b track with music from aseemingly incongruous rock song (or another distant genre). The mostfamous of these 17 tracks is probably Freelance Hellraiser's "A Strokeof Genius," the pairing of the Strokes' "Hard to Explain" with the acapella version of "Genie in a Bottle." Popular opinion is that the miximproves both original songs, and I tend to agree. Freelance Hellraiseris the most consistent DJ on the disc; his songs are the most seamlessand flow more naturally than most, particularly theNirvana-meets-Destiny's Child "Smells Like Booty. Pairing Eminem's D 12with Depeche Mode is pretty clever too. The cleverness of all thesesongs becomes the double-edged sword with this CD - do we like thesesongs for the skill and creativity that went into mixing them, or fortheir eye-rolling cleverness? If it's the latter, then at least you canregard this disc as a guilty pleasure. There are some decided duds -pairing "Satisfaction" with Fatboy Slim does absolutely nothing for me,and layering Public Enemy with Herb Alpert is too cutesy and doesn'talways sync up. But for every stinker there's a nice surprise, like DJFrench Bloke's bonding the Dead Kennedys' "California Uber Alles" withDestiny Child's "Jumpin Jumpin," which comes across more eerie thenclever, giving it more of an edge. Girls On Top have two tracks on thedisc that distinguish themselves from the rest by making moreinteresting musical choices, namely Gary Numan ("Are Friends Electric?"with Adina Howard's "Freak," I think) and Human League ("Being Boiled"with TLC's "No Scrubs"). An interesting note - mixing Celine Dion withSigur Ros sounds horrifically flawless. I don't think I'd realize itwas a mix if I didn't know any better, I'd just assume it was a badadult-contemporary hit.
Let's pretend that the copyright infringement/artists' rights debateabout these bootlegs doesn't exist here; we all have our opinions onthat issue, so let's get past it and talk about whether or not thesemixes are any good. The general theme of this mash-up mix is thepairing of an a capella hip-hop/r&b track with music from aseemingly incongruous rock song (or another distant genre). The mostfamous of these 17 tracks is probably Freelance Hellraiser's "A Strokeof Genius," the pairing of the Strokes' "Hard to Explain" with the acapella version of "Genie in a Bottle." Popular opinion is that the miximproves both original songs, and I tend to agree. Freelance Hellraiseris the most consistent DJ on the disc; his songs are the most seamlessand flow more naturally than most, particularly theNirvana-meets-Destiny's Child "Smells Like Booty. Pairing Eminem's D 12with Depeche Mode is pretty clever too. The cleverness of all thesesongs becomes the double-edged sword with this CD - do we like thesesongs for the skill and creativity that went into mixing them, or fortheir eye-rolling cleverness? If it's the latter, then at least you canregard this disc as a guilty pleasure. There are some decided duds -pairing "Satisfaction" with Fatboy Slim does absolutely nothing for me,and layering Public Enemy with Herb Alpert is too cutesy and doesn'talways sync up. But for every stinker there's a nice surprise, like DJFrench Bloke's bonding the Dead Kennedys' "California Uber Alles" withDestiny Child's "Jumpin Jumpin," which comes across more eerie thenclever, giving it more of an edge. Girls On Top have two tracks on thedisc that distinguish themselves from the rest by making moreinteresting musical choices, namely Gary Numan ("Are Friends Electric?"with Adina Howard's "Freak," I think) and Human League ("Being Boiled"with TLC's "No Scrubs"). An interesting note - mixing Celine Dion withSigur Ros sounds horrifically flawless. I don't think I'd realize itwas a mix if I didn't know any better, I'd just assume it was a badadult-contemporary hit.
samples:
- Freelance Hellraiser - Smells Like Booty
- DJ French Bloke - Destiny Kennedies
- Girls On Top - Being Scrubbed
