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radian, "juxtaposition"
Thrill Jockey
Radian's third full-length album is an unexpected (and excellent) surprise, appearing only months after the releases of Ballroom by Trapist (Martin Brandlmayr with Martin Siewert and Joe Williamson) and Die Instabilität der Symmetrie (the collaboration of Brandlmayr and Siewert with Werner Dafeldecker and Stefan Németh) and mere months before Jealousy and Diamond, the Kranky debut of the band Autistic Daughters (Brandlmayr and Dafeldecker with Dean Roberts). Juxtapositionis a seemingly appropriate name for the album as the recordings werecompleted in a process which is nearly backwards to what would seemmost logical: beginning with the synths and electronics (in Vienna) andcompleted with the recording of live drums and bass guitar (by JohnMcEntire in Chicago). Unsurprisingly with two drummers (Brandlmayer andMcEntire) having so much influence on the album, it's a veryrhythmically charged record. "Shift" opens the album with an aggressivetune of driving percussion over chopped up electronics. Even here onthe first track, the brushes of cymbals and thud of the real bassguitar combined with the forward melodic motion are sounds I've wantedto hear come out of this scene for years. These are the elements thatmake the perfect use of the last ten years of laptopery. Sure, thoseMego and Raster-Noton acts had good sound patches but the picture wasalways incomplete without good composition and variety. Juxtapositionis more of a pop record than the other releases in this blossomingscene, as it's comprised of nine approximately five-minute songsinstead of four-five 10-20 minute long pieces like some of theaforementioned records. The instrumentation remains a consistentwell-balanced interplay between the three musical elements (drums, bassguitar, and electronics) while the variants from song to song are oftempo and structure. While the sounds themselves aren't completelynatural, it's not an alien pop concept to have an upbeat tune (like"Transistor") followed by the downbeat song ("Helix") and a subsequentdroning bit ("Ontario") before launching into another upbeat jam("Tester"). I'm now even more eager to hear the upcoming AutisticDaughters release and am increasingly anxious to see some of thesepeople live but whether or not this blossoming scene has caught on wellenough to bring them over is yet to be seen.
Radian's third full-length album is an unexpected (and excellent) surprise, appearing only months after the releases of Ballroom by Trapist (Martin Brandlmayr with Martin Siewert and Joe Williamson) and Die Instabilität der Symmetrie (the collaboration of Brandlmayr and Siewert with Werner Dafeldecker and Stefan Németh) and mere months before Jealousy and Diamond, the Kranky debut of the band Autistic Daughters (Brandlmayr and Dafeldecker with Dean Roberts). Juxtapositionis a seemingly appropriate name for the album as the recordings werecompleted in a process which is nearly backwards to what would seemmost logical: beginning with the synths and electronics (in Vienna) andcompleted with the recording of live drums and bass guitar (by JohnMcEntire in Chicago). Unsurprisingly with two drummers (Brandlmayer andMcEntire) having so much influence on the album, it's a veryrhythmically charged record. "Shift" opens the album with an aggressivetune of driving percussion over chopped up electronics. Even here onthe first track, the brushes of cymbals and thud of the real bassguitar combined with the forward melodic motion are sounds I've wantedto hear come out of this scene for years. These are the elements thatmake the perfect use of the last ten years of laptopery. Sure, thoseMego and Raster-Noton acts had good sound patches but the picture wasalways incomplete without good composition and variety. Juxtapositionis more of a pop record than the other releases in this blossomingscene, as it's comprised of nine approximately five-minute songsinstead of four-five 10-20 minute long pieces like some of theaforementioned records. The instrumentation remains a consistentwell-balanced interplay between the three musical elements (drums, bassguitar, and electronics) while the variants from song to song are oftempo and structure. While the sounds themselves aren't completelynatural, it's not an alien pop concept to have an upbeat tune (like"Transistor") followed by the downbeat song ("Helix") and a subsequentdroning bit ("Ontario") before launching into another upbeat jam("Tester"). I'm now even more eager to hear the upcoming AutisticDaughters release and am increasingly anxious to see some of thesepeople live but whether or not this blossoming scene has caught on wellenough to bring them over is yet to be seen.
