Remora/Pale Horse and Rider/Rivulets, "The Alcohol EPs"

The concept is interesting for a compilation to say the least: three bands recording songs that are influenced by or created under the influence of alcohol. It could be an absolute disaster, but here it works quite nicely. Then again, the artists featured here are no slouches (even though they may be out of their element a bit).Silber

Remora, a.k.a. Brian John Mitchell, usually creates ambient drone-rock, but chose an acoustic guitar as a starting point for his contributions. Jon DeRosa used to present more experimental fare with Aarktica, but his Pale Horse and Rider—making a recording debut here—has a more country flavor with that modern troubadour appeal. And what more can I say about Rivulets? Nathan Amundson, fresh from his full-length debut and EP, adds the longest tracks here with aplomb. The results of these three different projects are quite stunning as well as incredibly maudlin in nature. DeRosa is a fresh voice with heartbreak on his mind, and his songs are incredibly affecting. On "Bruises Like Badges," he explores the mindset of the casual victim who thrives on the attention of others, as his voice trembles and begs for her to hide the conversation pieces from him. The seven-minute "You've Been Keeping Secrets Again" is the best of the lot, with DeRosa providing his own haunting harmony. Remora's songs are less polished than the others, and far more eclectic, though still solid. They're also the spookiest, as the titles would suggest ("Oblivion," "Hope is Gone"). On "Joy Division," he approaches madness: "We both know I always wanted you forever / I don't want to put a rope to my throat / but I'm listening to Joy Division." Scary. Rivulets just add more reasons for accolades to the set, with simple songs that are far beyond the length my tolerance affords other artists. Amundson never loses you, as his earnest tunes have an inescapable gravity with every guitar strum. He seems to be growing more comfortable with his voice, too, even if the vocals are mixed way in the background. The climax on "Anaconda" with its "I knew you would leave" is especially touching. And there are a few missteps all around (Amundson misses more than one note on "Gimme Excess," for instance). The simple charm of the release gets you over that real quick. Just don't listen too long, as it's liable to depress you.

 

samples:

• Remora - Joy Division
• Pale Horse and Rider - Bruises Like Badges
• Rivulets - Anaconda