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SAGAN, "UNSEEN FORCES"

Vague Terrain
In addition to being the first non-Matmos release to surface on Martin Schmidt and Drew Daniel's Vague Terrain label, Unseen Forcesis also the debut release for the San Francisco audiovisual supergroupSagan. While an increasing number of electronic and experimentalartists are defining themselves as "audiovisual," Sagan is one of thefew I've encountered that have released the visual component of theirwork simultaneously to the audio component, thereby assuring that anaudience, beyond those who see a live performance, will be able toexperience their work in a proper context. The group is comprised ofelectronic heavyweights J. Lesser, Blevin Blectum, Jon Leidecker (AKAWobbly) and video artist Ryan Junell. It's an ambitious project thatpays homage to the late Carl Sagan, popular scientist, astronomer, andthe turtlenecked host of the seminal PBS series Cosmos. In wayof tribute to this looming hero of nerds, Sagan the group offers anhour-long excursion into the far-flung realms of the universe,eschewing the kind of glitched-up laptop pranks we might have expectedfrom these three, in favor of an unexpectedly cosmic amalgam ofanalogue synthesizers, field recordings and sample-driven electronica.The three musicians throw everything including the kitchen sink intothese twelve tracks, but somehow distill and process their many inputsinto a cohesive work that cannot be easily compared to anything thathas come before. The press notes try to make the case for a comparisonto 70s kosmische rockers Hawkwind and Vangelis, and while thoseinfluences are certainly present, it's a misleading way to characterizethe sounds on Unseen Forces. In the span of seven minutes,Sagan travel from windswept ambient spacescapes to crunchy rhythms andsquelching computer glitches; from a Gyorgi Ligeti choir of ghostlyvoices to sudden blasts of heavy metal guitar; from shuddering,synth-heavy science-class filmstrips to a jungle full of screechingmonkeys and cawing birds; from Middle Eastern breaks todigitally-obliterated gabbercore trance and subtle atmospheric passagesof tinkling piano. It may sound like a recipe for short-attention-spandilettantism or plunderphonia, but it's actually remarkably focused,and remains very much on the theme of science and that essential aweand wonder inherent in the infinite possibilities of the universe. Asentertaining as the music can be at times, it works even better incontext with the 40-minute video included on the DVD. In a series ofsilly-to-brilliant Viewmaster slide sketches, video artist Ryan Junellilluminates important scientific disoveries. In one of the openingsketches, a vivid illustration of the Big Bang is performed in front ofaudience by a group of flashlight-wielding astronomy enthusiasts in adark room. In the next sketch, M.C. Schmidt and Drew Daniel of Matmosreenact Pausianus' discovery of air as a substance, doubling as a gaypick-up scene in an ice cream parlor. I learned about the contentiouspartnership of early astronomers Tyco Brahe and Johannes Kepler in avery funny sketch involving quiche and a gold-plated nose. In anothermemorable sketch, Lesser and Blectum portray Pierre and Marie Curie,discovering radiation as well as their love for each other. The DVDalso includes six hours of MP3 audio, documenting Sagan's liveperformances. I'm very impressed by the amount of work put into thispackage, and the artists' genuine love and reverence for Carl Sagan andhis beloved scientific method is definitely contagious. It very nearlyqualifies as educational material, on a par with Charles and Ray Eames'The Powers of Ten, or anything that is genuinely able to make learning fun. 

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