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Scorn, "Plan B"
More beats, more bass.
hymen
Mick Harris has helped to define more genres than many artists can claim to have released respectable albums. From his longest running moniker, Scorn, devotees have come to expect a certain formula: mix equal parts sparse electroacoustic ambience with driving, fractured breakbeats. Add woofer-thrashing bass frequencies and spoon out with a dash of painfully dry humor. Scorn's work has been one of a gradual stripdown of all that was non-essential on early albums like Colossus and Evanescence, and the move towards minimalism has alienated many in its wake. Scorn's last full length for Hymen, the blisteringly straightforward 'Greetings From Birmingham' showed that Harris had all but exhausted the possibilites with dead slow beats and low-end rumble. With 'Plan B' however, Scorn returns to form in a way that's a bit unanticipated. While stripping down to just the barest of bones, 'Plan B' manages to merge Scorn's minimalist anger with something that had been left behind somewhere around 'Evanescence;' the groove! 'Plan B' is a constant head-nodder from its opening assault of speaker-blowing bass feedback to the finale that stops abruptly like someone ending a strenuous workout by hopping off the exercise bike. You'll need a decent pair of speakers or headphones to really make sense of this, as a great deal of the depth comes from the way Harris manipulates the low-end often in nonsensical ways. Melodies are carried by fluctuations in filter cutoff, looping piano figures, and the occasional tonal scrape or stab. Meanwhile, Scorn's sense of humor remains in-tact. A lesser artist would take this formula and add a 'spooky' sample from Aliens, but Harris cuts the assault of beats and bass with occasional samples that lighten up the work and relieve it of the deadpan seriousness that so much of this kind of music adheres to. Equally at home in a set of post-industrial beat mayhem or an underground hip hop dj set, 'Plan B' might just give you an excuse to shake it a little.
Mick Harris has helped to define more genres than many artists can claim to have released respectable albums. From his longest running moniker, Scorn, devotees have come to expect a certain formula: mix equal parts sparse electroacoustic ambience with driving, fractured breakbeats. Add woofer-thrashing bass frequencies and spoon out with a dash of painfully dry humor. Scorn's work has been one of a gradual stripdown of all that was non-essential on early albums like Colossus and Evanescence, and the move towards minimalism has alienated many in its wake. Scorn's last full length for Hymen, the blisteringly straightforward 'Greetings From Birmingham' showed that Harris had all but exhausted the possibilites with dead slow beats and low-end rumble. With 'Plan B' however, Scorn returns to form in a way that's a bit unanticipated. While stripping down to just the barest of bones, 'Plan B' manages to merge Scorn's minimalist anger with something that had been left behind somewhere around 'Evanescence;' the groove! 'Plan B' is a constant head-nodder from its opening assault of speaker-blowing bass feedback to the finale that stops abruptly like someone ending a strenuous workout by hopping off the exercise bike. You'll need a decent pair of speakers or headphones to really make sense of this, as a great deal of the depth comes from the way Harris manipulates the low-end often in nonsensical ways. Melodies are carried by fluctuations in filter cutoff, looping piano figures, and the occasional tonal scrape or stab. Meanwhile, Scorn's sense of humor remains in-tact. A lesser artist would take this formula and add a 'spooky' sample from Aliens, but Harris cuts the assault of beats and bass with occasional samples that lighten up the work and relieve it of the deadpan seriousness that so much of this kind of music adheres to. Equally at home in a set of post-industrial beat mayhem or an underground hip hop dj set, 'Plan B' might just give you an excuse to shake it a little. samples:
