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SHELLEYDEVOTO, "BUZZKUNST"
Soon after the inaugural 'Spiral Scratch' EP, Pete Shelley and HowardDevoto parted ways, Shelley carrying on with the Buzzcocks and Devotomoving on to Magazine. A quarter century later they've reunited forlive shows and this album, possibly a one-off. Firstly the duo are tobe commended for not retreading their punk origins, choosing instead toexplore a more contemporary direction. Unfortunately that direction islame electronica. Devoto's peculiar voice is the same as ever, but Ifind it much more annoying here with a backdrop of bland beats, datedsynth textures and cheesy wanking. The handful of short instrumentalsdon't fare too much better, even with the addition of saxophones on "OnSolids". A computer and software does not an electronic musician make.It's either ironic or telling that the two songs most faithful to theirroots - "Can You See Me Shining?" and "'Til The Stars In His Eyes AreDead" - are by far the best, especially the latter with its high energyand heavy guitar riffage (if you heard or bought the single, don'texpect the rest of the album to sound like it!) Sure, they would havebeen lambasted by most critics and fans had the entire album been like"Stars", but sometimes it's best to just do what you do best. The videoportion of the disc is live footage of two songs, Shelley and Devotolooking about as bored as I am with the material. Get Magazine'sbrilliant career retrospective 'Maybe It's Right To Be Nervous Instead'box set instead! samples:
