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Solielkraast, "Choresonic Preludes to a Dark Cycle"
Drone Records
Two pieces of vastly different music occupy this 7" and the sheer gracethat they are handled with evidence a superior composer behind it all.The first side is full of escalating violence and phased aggressionechoing up and through a bottomless pit filled with something toodesperate to even name. Its slime worms its way up through dirt andhidden, underground passages until it finally surges to the top andexplodes in a glorious and suicidal display of sound and fury. Thesecond side is a consideration of the night and its chilling aura. Apiano rolls delicately about the air while a moonlit mountain exhibitssome strange behavior in the distance. The trees blow slowly, soundssnap and wheeze in the distance, and time begins to slow down. Thesetwo tracks couldn't be much different. Solielkraast is evidently aone-man project from out of Nantes, France. The noise and abrasiveelements of "Zoyd Kraast" come as a complete contrast to the frailty,delicacy, and intricacy of "Eesdaia." While many beatless orsound-collage records might maintain a constant tone so as to establisha mood and use it to its full potential, Solielkraast reaches foropposite poles and ends up getting a firm hold on both of them. Notonly are two excellent extremes presented on this release, but both arecalculated and arranged to near perfection. The trembling and robustpiano playing on "Eesdaia" is pure fear and dread come to life and itsconsiderate role in this song makes it one of the most extraordinarypieces of strange music I've heard this year. It isn't just the musicthat is spectacular, however. The vinyl itself is orange with yellowdustings and it comes inside a handmade cover by Solielkraast. Thisrelease has provided as much as a 7" can, but I'm aching for more thanjust these 17 minutes.
Two pieces of vastly different music occupy this 7" and the sheer gracethat they are handled with evidence a superior composer behind it all.The first side is full of escalating violence and phased aggressionechoing up and through a bottomless pit filled with something toodesperate to even name. Its slime worms its way up through dirt andhidden, underground passages until it finally surges to the top andexplodes in a glorious and suicidal display of sound and fury. Thesecond side is a consideration of the night and its chilling aura. Apiano rolls delicately about the air while a moonlit mountain exhibitssome strange behavior in the distance. The trees blow slowly, soundssnap and wheeze in the distance, and time begins to slow down. Thesetwo tracks couldn't be much different. Solielkraast is evidently aone-man project from out of Nantes, France. The noise and abrasiveelements of "Zoyd Kraast" come as a complete contrast to the frailty,delicacy, and intricacy of "Eesdaia." While many beatless orsound-collage records might maintain a constant tone so as to establisha mood and use it to its full potential, Solielkraast reaches foropposite poles and ends up getting a firm hold on both of them. Notonly are two excellent extremes presented on this release, but both arecalculated and arranged to near perfection. The trembling and robustpiano playing on "Eesdaia" is pure fear and dread come to life and itsconsiderate role in this song makes it one of the most extraordinarypieces of strange music I've heard this year. It isn't just the musicthat is spectacular, however. The vinyl itself is orange with yellowdustings and it comes inside a handmade cover by Solielkraast. Thisrelease has provided as much as a 7" can, but I'm aching for more thanjust these 17 minutes.
