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STRAY LIGHT, "CAREERS"
Doubtful Sound
Stray Light are the Manchester (UK) band I've enjoyed most in recentyears. After seeing their earliest gigs I invited them to support BardoPond and Stars of the Lid when I put on gigs for those bands. Theirdebt to Sonic Youth has always been apparent, but they play up a moremannered and thoughtful side of that influence than most detunedrockists. When they first started gigging around Manchester amongst asea of turgid Oasis clones they stood out a mile. Stray Light are allabout slowburning intertwined guitar melodies, bolstered by sweetviolin drone and skittering drums. 'Careers' consists mostly of finelywrought instrumentals which gleam elegantly, but it's a shame Kat Moordoesn't sing a little more as she can bring a heartfelt longing to hersemi-mumble singing that's quite stunning at times, and her duet withbassist / violinist Ellen Poliakoff on "Sarcasm On The Move" has astrange playground nursery rhyme feel that's both cute and sinister.Vocals don't force an entry until the fourth track, "Hearing Shapes,"which brings a buried folkiness to the byre. Whilst they open the albumwith all strings blazing in the psychedelic cloud swarms of the veryappropriately titled "Haze & Your Arm," mostly guitarists Kat andDavid Bennett pick careful arpeggiated flutter, swirling around in everdeepening pools, building carefully considered sunrise momentum. Whenthey do unleash a little six string fire, its always been carefullystoked. It seems rhythmic thrust is painted in by the guitar melodies,and Dan Dunbobbin's drumming tends to punctuate. The final track"Kitty's Blues" finds Kat describing pent up rage brilliantly in asparse lyric, "Every time you shut your eyes, you burst into flames,"and the album careers to a langourous anti-climax, cutting off aheartrending yearning elegy just as it seems about to explode.'Careers' follows up the CD-R release 'Mile 7' with similar shimmeringquality, but with perhaps more obvious contribution from their newestmember Ellen, whose violin has become ever more central to their sound.You can hear tracks at the Doubtful Sound website.
Stray Light are the Manchester (UK) band I've enjoyed most in recentyears. After seeing their earliest gigs I invited them to support BardoPond and Stars of the Lid when I put on gigs for those bands. Theirdebt to Sonic Youth has always been apparent, but they play up a moremannered and thoughtful side of that influence than most detunedrockists. When they first started gigging around Manchester amongst asea of turgid Oasis clones they stood out a mile. Stray Light are allabout slowburning intertwined guitar melodies, bolstered by sweetviolin drone and skittering drums. 'Careers' consists mostly of finelywrought instrumentals which gleam elegantly, but it's a shame Kat Moordoesn't sing a little more as she can bring a heartfelt longing to hersemi-mumble singing that's quite stunning at times, and her duet withbassist / violinist Ellen Poliakoff on "Sarcasm On The Move" has astrange playground nursery rhyme feel that's both cute and sinister.Vocals don't force an entry until the fourth track, "Hearing Shapes,"which brings a buried folkiness to the byre. Whilst they open the albumwith all strings blazing in the psychedelic cloud swarms of the veryappropriately titled "Haze & Your Arm," mostly guitarists Kat andDavid Bennett pick careful arpeggiated flutter, swirling around in everdeepening pools, building carefully considered sunrise momentum. Whenthey do unleash a little six string fire, its always been carefullystoked. It seems rhythmic thrust is painted in by the guitar melodies,and Dan Dunbobbin's drumming tends to punctuate. The final track"Kitty's Blues" finds Kat describing pent up rage brilliantly in asparse lyric, "Every time you shut your eyes, you burst into flames,"and the album careers to a langourous anti-climax, cutting off aheartrending yearning elegy just as it seems about to explode.'Careers' follows up the CD-R release 'Mile 7' with similar shimmeringquality, but with perhaps more obvious contribution from their newestmember Ellen, whose violin has become ever more central to their sound.You can hear tracks at the Doubtful Sound website.
