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substanz-t, "electric opium"
Hymen
Post-industrial music is about as loosely defined as a genre can get,and with artists ranging from the beat-driven cacophony of SomaticResponses and Venetian Snares to the electro experiments of Lusine ICLand Starfish Pool, Hymen Records has managed to stay within itsboundaries. At one time, the same could be said for Substanz-T, whosetrack "Industrial Music for Industrial People" reminded us that "if youdon't like fascism, don't play industrial music." As the jazzy, urbanvibes of their Hymen debut Tripped Experiences and their latest longplayer Electric Opiumsuggest, the Frankfurt duo have either developed a dislike for saidphilosophy, or simply grew up. While their so-called peers are contentto remain stagnant in black make-up and fishnets, Substanz-T have optedout in order to create their downtempo gems. On their latest disc, theyhave collaborated on multiple tracks with former Einsturzende Neubautenmember F.M. Einheit, another musician who has moved past the clang andbang of gloomy industrial music. Electric Opium shifts theirsound further away from the Kruder and Dorfmeister school of cool,resulting in a musical work both percussive and pensive. The overallmood is decidedly ambient, whether on the Basic Channel influenced"Steer The Stars," or the intelligent hip hop of "Place Cells." TheNinja Tune-worthy, echo-heavy soundtrack of "Rekall" is only furtheraccented by the clever use of theramin, and the track best representsthe collaborative spirit of the album. "Ubique" holds true to theessence of chillout originators such as The Orb over its 18 minutes ofsoft cinematic synth washes, crackling percussion, and ultra-minimalspecks of audio dirt. To call Electric Opium ideal for Sundaylistening would not do it justice. To call it an album that grows onyou would be and out-and-out insult. In all honesty, this is truly apainstakingly constructed collection of songs with more than its fairshare of nuances and studio-crafted subtlety. Goodbye post-industrial.Hello new ambient.
Post-industrial music is about as loosely defined as a genre can get,and with artists ranging from the beat-driven cacophony of SomaticResponses and Venetian Snares to the electro experiments of Lusine ICLand Starfish Pool, Hymen Records has managed to stay within itsboundaries. At one time, the same could be said for Substanz-T, whosetrack "Industrial Music for Industrial People" reminded us that "if youdon't like fascism, don't play industrial music." As the jazzy, urbanvibes of their Hymen debut Tripped Experiences and their latest longplayer Electric Opiumsuggest, the Frankfurt duo have either developed a dislike for saidphilosophy, or simply grew up. While their so-called peers are contentto remain stagnant in black make-up and fishnets, Substanz-T have optedout in order to create their downtempo gems. On their latest disc, theyhave collaborated on multiple tracks with former Einsturzende Neubautenmember F.M. Einheit, another musician who has moved past the clang andbang of gloomy industrial music. Electric Opium shifts theirsound further away from the Kruder and Dorfmeister school of cool,resulting in a musical work both percussive and pensive. The overallmood is decidedly ambient, whether on the Basic Channel influenced"Steer The Stars," or the intelligent hip hop of "Place Cells." TheNinja Tune-worthy, echo-heavy soundtrack of "Rekall" is only furtheraccented by the clever use of theramin, and the track best representsthe collaborative spirit of the album. "Ubique" holds true to theessence of chillout originators such as The Orb over its 18 minutes ofsoft cinematic synth washes, crackling percussion, and ultra-minimalspecks of audio dirt. To call Electric Opium ideal for Sundaylistening would not do it justice. To call it an album that grows onyou would be and out-and-out insult. In all honesty, this is truly apainstakingly constructed collection of songs with more than its fairshare of nuances and studio-crafted subtlety. Goodbye post-industrial.Hello new ambient.samples:
