 |
|
t. raumschmiere, "anti"
Hefty
It should come as no surprise that the album Hefty gets this year from Marco Haas as T. Raumschmiere is considerably more cerebral and noticably less ass-pounding as the one from Shitkatapult (see Sept. 29th's issue). The puffy thump of the bass kick is present again (deep enough to blow a hole in your speakers if you're not careful). This time around, however, deep listening has replaced sleazy listening, as the chunky, sweaty basslines that littered 'Rock N' Roll Swindle' are noticably absent. Taking the center stage are more hypnotic samples, breathy noises, clicks, ticks, and soft keyboard sounds. Songs take longer to develop for the most part as one by one, sounds are gracefully trickled in. Unlike the omnipresent relentless motion of the unlikely companion, this album takes a few noticable pauses here and there, driven by short beat-free moments. They're quick enough to catch your breath, but are abruptly dropped when the throb of songs like "Dual Kanal" make their presence known. If 'Swindle' is the album that brings you to that extra-special level of throbbing ecstasy, this album is pefrectly suitable for the transition into the coming-down afterwards. It's perfect for the car ride home as you race to beat the sunrise of the next day.
It should come as no surprise that the album Hefty gets this year from Marco Haas as T. Raumschmiere is considerably more cerebral and noticably less ass-pounding as the one from Shitkatapult (see Sept. 29th's issue). The puffy thump of the bass kick is present again (deep enough to blow a hole in your speakers if you're not careful). This time around, however, deep listening has replaced sleazy listening, as the chunky, sweaty basslines that littered 'Rock N' Roll Swindle' are noticably absent. Taking the center stage are more hypnotic samples, breathy noises, clicks, ticks, and soft keyboard sounds. Songs take longer to develop for the most part as one by one, sounds are gracefully trickled in. Unlike the omnipresent relentless motion of the unlikely companion, this album takes a few noticable pauses here and there, driven by short beat-free moments. They're quick enough to catch your breath, but are abruptly dropped when the throb of songs like "Dual Kanal" make their presence known. If 'Swindle' is the album that brings you to that extra-special level of throbbing ecstasy, this album is pefrectly suitable for the transition into the coming-down afterwards. It's perfect for the car ride home as you race to beat the sunrise of the next day.
samples:
