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Tape, "Opera"
Hapna
Tape's album Operamight be coming on the heels of the latest craze that pits guitarplucking and mouse clicking against each other in a sonic cage match ofsorts, but it is nevertheless a fine example of the way that digitaland acoustic instruments can work together seamlessly.The songs are made up of a variety of recorded instruments from guitarand horminca to melodica and accordian—instruments whose timbres arefaithfully maintained rather than spliced into a trillion fragmentedbits. The digital post-processing here serves to add a layer of grit tothe otherwise folky melodies that carry most of the songs, and tointerject the alien sounds that balance out the compositions. "ReturnTo Ship" is indicative of the album's tone, and begins with rumblinglow-end noise that builds through some droning instruments into aguitar passage that loops to serve the spinal cord for an organicorganism composed of off-kilter static and atonal whines. What makes Operawork is the solid foundation of simple melodies that allow themusicians room to experiment with the details. Simple tines andglockenspiel phrases serve as the familiar, while swarms of processedbits and bytes fade into and out of the mix providing an exotic spicethat keeps the songs from ever sounding simplistic. Many of the songscould almost be sweet if it weren't for the warbling effected dronesand flittering digitalia that run throughout. In the end, Operaabandons sentimentality in exchange for a strange tension that works toelevate the laptop noodling and the instrument playing to somethingelse entirely.
Tape's album Operamight be coming on the heels of the latest craze that pits guitarplucking and mouse clicking against each other in a sonic cage match ofsorts, but it is nevertheless a fine example of the way that digitaland acoustic instruments can work together seamlessly.The songs are made up of a variety of recorded instruments from guitarand horminca to melodica and accordian—instruments whose timbres arefaithfully maintained rather than spliced into a trillion fragmentedbits. The digital post-processing here serves to add a layer of grit tothe otherwise folky melodies that carry most of the songs, and tointerject the alien sounds that balance out the compositions. "ReturnTo Ship" is indicative of the album's tone, and begins with rumblinglow-end noise that builds through some droning instruments into aguitar passage that loops to serve the spinal cord for an organicorganism composed of off-kilter static and atonal whines. What makes Operawork is the solid foundation of simple melodies that allow themusicians room to experiment with the details. Simple tines andglockenspiel phrases serve as the familiar, while swarms of processedbits and bytes fade into and out of the mix providing an exotic spicethat keeps the songs from ever sounding simplistic. Many of the songscould almost be sweet if it weren't for the warbling effected dronesand flittering digitalia that run throughout. In the end, Operaabandons sentimentality in exchange for a strange tension that works toelevate the laptop noodling and the instrument playing to somethingelse entirely.
