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Tex La Homa, "If Just Today Were to Be My Entire Life"
Hybrid Electric
As the label's first release, Hybrid Electric unveil the second albumby critically praised electronic/acoustic artist Matt Shaw, also knownas Tex La Homa. Where his last full-length was a virtual snore, withmonotone delivery and static soundscapes, this sophomore effort is areal breath of fresh air. Shaw has honed his sound, concentrating onthe atmospherics and pop sensibilities that shined through before, andeliminated the repitition and flat presentations to produce aconsistent mood without feigning self importance. Dirty electronicpercussion gurgles from the speakers to start the set, as delicateelectric guitar entrances and invites. When Shaw finally opens hismouth halfway through the track, his vocals are treated so much thatthe words are often hard to make out, but it makes little differencefor a simple track of this beauty. Later, on "In the Clouds," thecloseness of the first track is replaced by pure isolation, but themusic almost makes it sound welcome. This is a tribute to a love thatdeserves better, and Shaw sells it well, and I can't get over how muchhis voice has improved and how good these songs are compared to thefirst album. Even when the vaguely country influence makes anappearance on "Paper Car," it's completely reinvented and there's nocause for concern. (Or, as Shaw puts it "I am not your enemy." Agreed.)If his debut was unabiding sadness, If Just Todayis the exact opposite, as every track has a driving energy and apositive outlook and feel. "Either Way" is the album's climax, asix-minute-plus mix of all the styles on the record that still blows meaway. This is my pick for most improved artist this year, and this is aperfect record to pull out come summer or autumn evenings when you'rewinding down.
As the label's first release, Hybrid Electric unveil the second albumby critically praised electronic/acoustic artist Matt Shaw, also knownas Tex La Homa. Where his last full-length was a virtual snore, withmonotone delivery and static soundscapes, this sophomore effort is areal breath of fresh air. Shaw has honed his sound, concentrating onthe atmospherics and pop sensibilities that shined through before, andeliminated the repitition and flat presentations to produce aconsistent mood without feigning self importance. Dirty electronicpercussion gurgles from the speakers to start the set, as delicateelectric guitar entrances and invites. When Shaw finally opens hismouth halfway through the track, his vocals are treated so much thatthe words are often hard to make out, but it makes little differencefor a simple track of this beauty. Later, on "In the Clouds," thecloseness of the first track is replaced by pure isolation, but themusic almost makes it sound welcome. This is a tribute to a love thatdeserves better, and Shaw sells it well, and I can't get over how muchhis voice has improved and how good these songs are compared to thefirst album. Even when the vaguely country influence makes anappearance on "Paper Car," it's completely reinvented and there's nocause for concern. (Or, as Shaw puts it "I am not your enemy." Agreed.)If his debut was unabiding sadness, If Just Todayis the exact opposite, as every track has a driving energy and apositive outlook and feel. "Either Way" is the album's climax, asix-minute-plus mix of all the styles on the record that still blows meaway. This is my pick for most improved artist this year, and this is aperfect record to pull out come summer or autumn evenings when you'rewinding down.samples:
